Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas

The techniques of 3D scanning are being applied in prehistoric caves and rock-shelters with increasing success. 3D imaging can even help restore the paintings of caves damaged by weathering or by human interventions (graffiti). For the first time, the ‘virtual restoration’ of a decorated gallery was...

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Bibliographic Details
Main Authors:	Carole Fritz, Gilles Tosello, Marc Azéma, Olivier Moreau, Guy Perazio, José Péral
Format:	Article
Language:	fra
Published:	Ministère de la Culture et de la Communication 2012-04-01
Series:	In Situ : Revue de Patrimoines
Subjects:	virtual restoration of Paleolithic cave painting the example of the Marsoulas cave cave art cave Marsoulas prehistoric painting engraving
Online Access:	http://journals.openedition.org/insitu/6774

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spelling	doaj-fd5fce06ce58412bb17312fa116954642020-11-24T21:12:55ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052012-04-011310.4000/insitu.6774Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de MarsoulasCarole FritzGilles ToselloMarc AzémaOlivier MoreauGuy PerazioJosé PéralThe techniques of 3D scanning are being applied in prehistoric caves and rock-shelters with increasing success. 3D imaging can even help restore the paintings of caves damaged by weathering or by human interventions (graffiti). For the first time, the ‘virtual restoration’ of a decorated gallery was undertaken in the cave of Marsoulas. This operation required the combination of 3D technology with the results of the scientific study of the site and the decorated walls.http://journals.openedition.org/insitu/6774virtual restoration of Paleolithic cave painting the example of the Marsoulas cavecave artcaveMarsoulasprehistoric paintingengraving
collection	DOAJ
language	fra
format	Article
sources	DOAJ
author	Carole Fritz Gilles Tosello Marc Azéma Olivier Moreau Guy Perazio José Péral
spellingShingle	Carole Fritz Gilles Tosello Marc Azéma Olivier Moreau Guy Perazio José Péral Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas In Situ : Revue de Patrimoines virtual restoration of Paleolithic cave painting the example of the Marsoulas cave cave art cave Marsoulas prehistoric painting engraving
author_facet	Carole Fritz Gilles Tosello Marc Azéma Olivier Moreau Guy Perazio José Péral
author_sort	Carole Fritz
title	Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas
title_short	Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas
title_full	Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas
title_fullStr	Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas
title_full_unstemmed	Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas
title_sort	restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de marsoulas
publisher	Ministère de la Culture et de la Communication
series	In Situ : Revue de Patrimoines
issn	1630-7305
publishDate	2012-04-01
description	The techniques of 3D scanning are being applied in prehistoric caves and rock-shelters with increasing success. 3D imaging can even help restore the paintings of caves damaged by weathering or by human interventions (graffiti). For the first time, the ‘virtual restoration’ of a decorated gallery was undertaken in the cave of Marsoulas. This operation required the combination of 3D technology with the results of the scientific study of the site and the decorated walls.
topic	virtual restoration of Paleolithic cave painting the example of the Marsoulas cave cave art cave Marsoulas prehistoric painting engraving
url	http://journals.openedition.org/insitu/6774
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Restauration virtuelle de l’art pariétal paléolithique : le cas de la grotte de Marsoulas

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