‘Lv Peng and his Chinese Art History in Operation, since 1986’
Lv Peng is one of the most influential contemporary Chinese art historians, who began publishing his work in 1986 and introduced various innovative approaches and methods to the field. Even though his work gained momentum in the field, his totalising and continually-revised publication scheme have c...
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| Language: | English |
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Department of Art History, University of Birmingham
2014-06-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2014/06/gong.pdf |
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doaj-ff1a18e0d2da478fb4ff78d86be28b7d2020-11-25T01:01:40ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522014-06-011010JG1‘Lv Peng and his Chinese Art History in Operation, since 1986’ Joshua Gong0University of SussexLv Peng is one of the most influential contemporary Chinese art historians, who began publishing his work in 1986 and introduced various innovative approaches and methods to the field. Even though his work gained momentum in the field, his totalising and continually-revised publication scheme have come under incessant criticism from friends and rivals alike. This article is an attempt at surveying Lv Peng’s oeuvre, while testifying to the value of his art history writings by making his various approaches more legible and systematic. His most popular publications as well as a few projects that are still in progress will be analysed for a more comprehensive understanding of his operational art history.https://arthistoriography.files.wordpress.com/2014/06/gong.pdfLv Pengcuratinghistoricising |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Joshua Gong |
| spellingShingle |
Joshua Gong ‘Lv Peng and his Chinese Art History in Operation, since 1986’ Journal of Art Historiography Lv Peng curating historicising |
| author_facet |
Joshua Gong |
| author_sort |
Joshua Gong |
| title |
‘Lv Peng and his Chinese Art History in Operation, since 1986’ |
| title_short |
‘Lv Peng and his Chinese Art History in Operation, since 1986’ |
| title_full |
‘Lv Peng and his Chinese Art History in Operation, since 1986’ |
| title_fullStr |
‘Lv Peng and his Chinese Art History in Operation, since 1986’ |
| title_full_unstemmed |
‘Lv Peng and his Chinese Art History in Operation, since 1986’ |
| title_sort |
‘lv peng and his chinese art history in operation, since 1986’ |
| publisher |
Department of Art History, University of Birmingham |
| series |
Journal of Art Historiography |
| issn |
2042-4752 |
| publishDate |
2014-06-01 |
| description |
Lv Peng is one of the most influential contemporary Chinese art historians, who began publishing his work in 1986 and introduced various innovative approaches and methods to the field. Even though his work gained momentum in the field, his totalising and continually-revised publication scheme have come under incessant criticism from friends and rivals alike. This article is an attempt at surveying Lv Peng’s oeuvre, while testifying to the value of his art history writings by making his various approaches more legible and systematic. His most popular publications as well as a few projects that are still in progress will be analysed for a more comprehensive understanding of his operational art history. |
| topic |
Lv Peng curating historicising |
| url |
https://arthistoriography.files.wordpress.com/2014/06/gong.pdf |
| work_keys_str_mv |
AT joshuagong lvpengandhischinesearthistoryinoperationsince1986 |
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