DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE

Cultural Heritage artifacts can often be underestimated for their hidden presence in the landscape. Such problem is particularly large in countries like Italy, where the massive amount of "famous" artifacts tends to neglect other presences unless properly exposed, or when the remains are d...

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Main Authors: G. Guidi, M. Russo
Format: Article
Language:English
Published: Copernicus Publications 2012-09-01
Series:The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences
Online Access:http://www.int-arch-photogramm-remote-sens-spatial-inf-sci.net/XXXVIII-5-W16/371/2011/isprsarchives-XXXVIII-5-W16-371-2011.pdf
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spelling doaj-ffe2f7b9986042909bdc57f4e0751e892020-11-25T00:21:01ZengCopernicus PublicationsThe International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences1682-17502194-90342012-09-01XXXVIII-5/W1637137610.5194/isprsarchives-XXXVIII-5-W16-371-2011DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGEG. Guidi0M. Russo1Mechanical Dept., Politecnico di Milano, via La Masa 1, 20156 Milano, ItalyINDACO Dept., Politecnico di Milano, via Durando 38/a, 20158 Milano, ItalyCultural Heritage artifacts can often be underestimated for their hidden presence in the landscape. Such problem is particularly large in countries like Italy, where the massive amount of "famous" artifacts tends to neglect other presences unless properly exposed, or when the remains are dramatically damaged leaving very few interpretation clues to the visitor. In such cases a virtual presentation of the Cultural Heritage site can be of great help, specially for explaining the evolution of its status, giving sometimes sense to few spare stones. The definition of these digital representations deal with two crucial aspects: on the one hand the possibility of 3D surveying the relics in order to have an accurate geometrical image of the current status of the artifact; on the other hand the presence of historical sources both in form of written text or images, that once properly matched with the current geometrical data, may help to recreate digitally a set of 3D models representing visually the various historical phases (diachronic model), up to the current one. The core of this article is the definition of an integrated methodology that starts from an high-resolution digital survey of the remains of an ancient building and develops a coherent virtual reconstruction from different historical sources, suggesting a scalable method suitable to be re-used for generating a 4D (geometry + time) model of the artifact. This approach has been experimented on the "Basilica di San Giovanni in Conca" in Milan, a very significant example for its complex historic evolution that combines evident historic values with an invisible presence inside the city.http://www.int-arch-photogramm-remote-sens-spatial-inf-sci.net/XXXVIII-5-W16/371/2011/isprsarchives-XXXVIII-5-W16-371-2011.pdf
collection DOAJ
language English
format Article
sources DOAJ
author G. Guidi
M. Russo
spellingShingle G. Guidi
M. Russo
DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences
author_facet G. Guidi
M. Russo
author_sort G. Guidi
title DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE
title_short DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE
title_full DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE
title_fullStr DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE
title_full_unstemmed DIACHRONIC 3D RECONSTRUCTION FOR LOST CULTURAL HERITAGE
title_sort diachronic 3d reconstruction for lost cultural heritage
publisher Copernicus Publications
series The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences
issn 1682-1750
2194-9034
publishDate 2012-09-01
description Cultural Heritage artifacts can often be underestimated for their hidden presence in the landscape. Such problem is particularly large in countries like Italy, where the massive amount of "famous" artifacts tends to neglect other presences unless properly exposed, or when the remains are dramatically damaged leaving very few interpretation clues to the visitor. In such cases a virtual presentation of the Cultural Heritage site can be of great help, specially for explaining the evolution of its status, giving sometimes sense to few spare stones. The definition of these digital representations deal with two crucial aspects: on the one hand the possibility of 3D surveying the relics in order to have an accurate geometrical image of the current status of the artifact; on the other hand the presence of historical sources both in form of written text or images, that once properly matched with the current geometrical data, may help to recreate digitally a set of 3D models representing visually the various historical phases (diachronic model), up to the current one. The core of this article is the definition of an integrated methodology that starts from an high-resolution digital survey of the remains of an ancient building and develops a coherent virtual reconstruction from different historical sources, suggesting a scalable method suitable to be re-used for generating a 4D (geometry + time) model of the artifact. This approach has been experimented on the "Basilica di San Giovanni in Conca" in Milan, a very significant example for its complex historic evolution that combines evident historic values with an invisible presence inside the city.
url http://www.int-arch-photogramm-remote-sens-spatial-inf-sci.net/XXXVIII-5-W16/371/2011/isprsarchives-XXXVIII-5-W16-371-2011.pdf
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