«Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors

This paper explores how metaphors in Dante’s Commedia can be identified, classified and organized in a database so as to provide thorough and solid data to aid their understanding. All metaphors in the poem are first identified through a linguistic procedure called MIP (i.e. Metaphor Identification...

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Main Author: Gaia Tomazzoli
Format: Article
Language:English
Published: University of Bologna 2019-09-01
Series:Umanistica Digitale
Subjects:
Online Access:https://umanisticadigitale.unibo.it/article/view/8630
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spelling doaj-ffead0c88d7846218b43573d23ce6b2e2020-11-25T02:00:18ZengUniversity of BolognaUmanistica Digitale2532-88162019-09-013610.6092/issn.2532-8816/86308255«Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphorsGaia Tomazzoli0Université Paris 3 - Sorbonne NouvelleThis paper explores how metaphors in Dante’s Commedia can be identified, classified and organized in a database so as to provide thorough and solid data to aid their understanding. All metaphors in the poem are first identified through a linguistic procedure called MIP (i.e. Metaphor Identification Process), based on the comparison between the contextual and the basic meaning of each word-unit. The metaphors thus identified are later classified based on syntactic, semantic and rhetorical structure criteria, taking into account both medieval explanations of figurative language and the features of Dante’s metaphors that have always struck the readers of his poem. The findings from this combined linguistic and stylistic analysis provide evidence to support tenets put forward by some literary scholars (e.g. that metaphors increase in number and complexity throughout the poem) and show that metaphors converge in sections of political and religious invective, where one of the main purposes of the author is to elevate his style. The study suggests that a systematic multi-dimensional analysis of metaphor can shed light on its conceptual importance in a text and raise awareness of all its stylistic traits.https://umanisticadigitale.unibo.it/article/view/8630dantemetaphorstylisticscorpus linguisticitalian philology
collection DOAJ
language English
format Article
sources DOAJ
author Gaia Tomazzoli
spellingShingle Gaia Tomazzoli
«Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors
Umanistica Digitale
dante
metaphor
stylistics
corpus linguistic
italian philology
author_facet Gaia Tomazzoli
author_sort Gaia Tomazzoli
title «Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors
title_short «Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors
title_full «Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors
title_fullStr «Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors
title_full_unstemmed «Totus poema eius ubique mirabiliter figuratus». Identifying, classifying and describing Dante’s metaphors
title_sort «totus poema eius ubique mirabiliter figuratus». identifying, classifying and describing dante’s metaphors
publisher University of Bologna
series Umanistica Digitale
issn 2532-8816
publishDate 2019-09-01
description This paper explores how metaphors in Dante’s Commedia can be identified, classified and organized in a database so as to provide thorough and solid data to aid their understanding. All metaphors in the poem are first identified through a linguistic procedure called MIP (i.e. Metaphor Identification Process), based on the comparison between the contextual and the basic meaning of each word-unit. The metaphors thus identified are later classified based on syntactic, semantic and rhetorical structure criteria, taking into account both medieval explanations of figurative language and the features of Dante’s metaphors that have always struck the readers of his poem. The findings from this combined linguistic and stylistic analysis provide evidence to support tenets put forward by some literary scholars (e.g. that metaphors increase in number and complexity throughout the poem) and show that metaphors converge in sections of political and religious invective, where one of the main purposes of the author is to elevate his style. The study suggests that a systematic multi-dimensional analysis of metaphor can shed light on its conceptual importance in a text and raise awareness of all its stylistic traits.
topic dante
metaphor
stylistics
corpus linguistic
italian philology
url https://umanisticadigitale.unibo.it/article/view/8630
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