Paradoxical Realities: A Creative Consideration of Realismo Maravilhoso in an Interactive Digital Narrative

This artistic, practice-led thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is formatted as a printed picture book that can be expanded through the use of AR (Augmented Reality) technology. The technical structure o...

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Bibliographic Details
Main Author: Tavares, Tatiana (Author)
Other Authors: Ings, Welby (Contributor), Nelson, Frances (Contributor), Harris, Miriam (Contributor)
Format: Others
Published: Auckland University of Technology, 2019-11-04T21:15:31Z.
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Online Access:Get fulltext
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042 |a dc 
100 1 0 |a Tavares, Tatiana  |e author 
100 1 0 |a Ings, Welby  |e contributor 
100 1 0 |a Nelson, Frances  |e contributor 
100 1 0 |a Harris, Miriam  |e contributor 
245 0 0 |a Paradoxical Realities: A Creative Consideration of Realismo Maravilhoso in an Interactive Digital Narrative 
260 |b Auckland University of Technology,   |c 2019-11-04T21:15:31Z. 
520 |a This artistic, practice-led thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is formatted as a printed picture book that can be expanded through the use of AR (Augmented Reality) technology. The technical structure of the book allows for the reading of different versions of a story told by three distinctive narrators (saints). These saints are syncretic and they interpret a story through changes in illustrative content and monologue. The artistic artefact is formatted as a series of pictorial sets 'in potentia'. Once engaged with through a mobile device, animated characters populated a luxuriously illustrated world accompanied by a complex cinematic soundscape. In the development of the illustrations, I draw syncretism and photomontage into artistic relationality and explore ideological tensions and mysteries resulting from decontextualisation and recontextualisation. Conceptually, the research project is concerned with storytelling and realismo maravilhoso (a distinctive form of Latin American magical realism), so the exegesis reflects on certain socio-cultural constructs that permeate divisions between belief and actuality. Methodologically, the project emanates from an artistic research paradigm (Klein, 2010) that supports a heuristic approach (Douglass & Moustakas, 1985) to the discovery and refinement of ideas. Thus, the research draws upon both tacit and explicit knowledge in the development of a fictional narrative, its structure, and stylistic treatments. 
540 |a OpenAccess 
546 |a en 
650 0 4 |a Realismo maravilhoso 
650 0 4 |a Magical realism 
650 0 4 |a Augmented Reality 
650 0 4 |a Interactive 
650 0 4 |a Narrative 
650 0 4 |a Syncretism 
650 0 4 |a Polyvocal 
650 0 4 |a Paradox 
650 0 4 |a Parallax 
650 0 4 |a Practice-led research 
655 7 |a Thesis 
856 |z Get fulltext  |u http://hdl.handle.net/10292/12958