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01528 am a22002413u 4500 |
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4756 |
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|a dc
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|a Pearce, Lance
|e author
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|a Jervis, Ian
|e contributor
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|a Cullen, Paul
|e contributor
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|a Redmond, Monique
|e contributor
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|a Everything moves so swiftly: sculptural moments in the life of objects
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|b Auckland University of Technology,
|c 2012-11-25T20:23:22Z.
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|a My practice-based art project explores a variety of constructional approaches specifically directed toward sculptural outcomes; the repurposing of commonplace objects to produce sculptural composites. This project speculates on the role of asignification in a sculptural object as both a deferral of representation and an enabler of human potential. Asignification, as an elision of the standardising and constraining space of representation, provides a key to rethinking the conditions of potentiality immanent to the spectator/sculpture encounter. The spectator's encounter with an asignifying sculpture exists on the cusp between a leap into the virtual and more familiar spatiotemporal vectors. And if taken, this leap allows the spectator - as in a dream - to move freely within a boundless experience of time and memory.
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|a OpenAccess
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|a en
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|a Sculptural composites
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|a Commonplace objects
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|a Asignification
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|a Representation
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|a Potential
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|a Thesis
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|z Get fulltext
|u http://hdl.handle.net/10292/4756
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