Band-Sifting Decomposition for Image-Based Material Editing

Photographers often "prep" their subjects to achieve various effects; for example, toning down overly shiny skin, covering blotches, etc. Making such adjustments digitally after a shoot is possible, but difficult without good tools and good skills. Making such adjustments to video footage...

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Bibliographic Details
Main Authors: Boyadzhiev, Ivaylo (Author), Bala, Kavita (Author), Paris, Sylvain (Author), Adelson, Edward H (Contributor)
Other Authors: Massachusetts Institute of Technology. Department of Brain and Cognitive Sciences (Contributor)
Format: Article
Language:English
Published: Association for Computing Machinery (ACM), 2017-10-26T19:58:15Z.
Subjects:
Online Access:Get fulltext
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100 1 0 |a Boyadzhiev, Ivaylo  |e author 
100 1 0 |a Massachusetts Institute of Technology. Department of Brain and Cognitive Sciences  |e contributor 
100 1 0 |a Adelson, Edward H  |e contributor 
700 1 0 |a Bala, Kavita  |e author 
700 1 0 |a Paris, Sylvain  |e author 
700 1 0 |a Adelson, Edward H  |e author 
245 0 0 |a Band-Sifting Decomposition for Image-Based Material Editing 
260 |b Association for Computing Machinery (ACM),   |c 2017-10-26T19:58:15Z. 
856 |z Get fulltext  |u http://hdl.handle.net/1721.1/111978 
520 |a Photographers often "prep" their subjects to achieve various effects; for example, toning down overly shiny skin, covering blotches, etc. Making such adjustments digitally after a shoot is possible, but difficult without good tools and good skills. Making such adjustments to video footage is harder still. We describe and study a set of 2D image operations, based on multiscale image analysis, that are easy and straightforward and that can consistently modify perceived material properties. These operators first build a subband decomposition of the image and then selectively modify the coefficients within the subbands. We call this selection process band sifting. We show that different siftings of the coefficients can be used to modify the appearance of properties such as gloss, smoothness, pigmentation, or weathering. The band-sifting operators have particularly striking effects when applied to faces; they can provide "knobs" to make a face look wetter or drier, younger or older, and with heavy or light variation in pigmentation. Through user studies, we identify a set of operators that yield consistent subjective effects for a variety of materials and scenes. We demonstrate that these operators are also useful for processing video sequences. 
655 7 |a Article 
773 |t ACM Transactions on Graphics