The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England

The most popular cantos from the Orlando Furioso in Elizabethan England center on the (in)fi delity of women. Cantos 5, 28, and 43 were appropriated, translated, or adapted in the following works: Peter Beverly’s Historie of Ariodanto and Jenevra, Sir John Harington’s Orlando Furioso in English Hero...

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Main Author: Reid, Joshua S.
Published: Digital Commons @ East Tennessee State University 2013
Subjects:
Online Access:https://dc.etsu.edu/etsu-works/3166
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spelling ndltd-ETSU-oai-dc.etsu.edu-etsu-works-42642019-05-16T05:10:31Z The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England Reid, Joshua S. The most popular cantos from the Orlando Furioso in Elizabethan England center on the (in)fi delity of women. Cantos 5, 28, and 43 were appropriated, translated, or adapted in the following works: Peter Beverly’s Historie of Ariodanto and Jenevra, Sir John Harington’s Orlando Furioso in English Heroical Verse, Thomas Lodge’s Catharos, “The Squire of Dames’s Tale” in Edmund Spenser’s Faerie Queene, Robert Greene’s The Historie of Orlando Furioso, Robert Tofte’s Two Tales, translated out of Ariosto, and William Shakespeare’s Much Ado About Nothing. No other cantos from the Orlando Furioso received this amount of literary attention in England, and this paper will explore why these writers were fi xated on these particular episodes, and how they transferred the embedded gender dynamics of these tales from the context of the Este court to their target culture. 2013-04-06T07:00:00Z text https://dc.etsu.edu/etsu-works/3166 ETSU Faculty Works Digital Commons @ East Tennessee State University Elizabethan England Ariosto Literature and Language English Language and Literature
collection NDLTD
sources NDLTD
topic Elizabethan England
Ariosto
Literature and Language
English Language and Literature
spellingShingle Elizabethan England
Ariosto
Literature and Language
English Language and Literature
Reid, Joshua S.
The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England
description The most popular cantos from the Orlando Furioso in Elizabethan England center on the (in)fi delity of women. Cantos 5, 28, and 43 were appropriated, translated, or adapted in the following works: Peter Beverly’s Historie of Ariodanto and Jenevra, Sir John Harington’s Orlando Furioso in English Heroical Verse, Thomas Lodge’s Catharos, “The Squire of Dames’s Tale” in Edmund Spenser’s Faerie Queene, Robert Greene’s The Historie of Orlando Furioso, Robert Tofte’s Two Tales, translated out of Ariosto, and William Shakespeare’s Much Ado About Nothing. No other cantos from the Orlando Furioso received this amount of literary attention in England, and this paper will explore why these writers were fi xated on these particular episodes, and how they transferred the embedded gender dynamics of these tales from the context of the Este court to their target culture.
author Reid, Joshua S.
author_facet Reid, Joshua S.
author_sort Reid, Joshua S.
title The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England
title_short The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England
title_full The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England
title_fullStr The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England
title_full_unstemmed The Gender Dynamics of Ariosto’s Tales of Women in Elizabethan England
title_sort gender dynamics of ariosto’s tales of women in elizabethan england
publisher Digital Commons @ East Tennessee State University
publishDate 2013
url https://dc.etsu.edu/etsu-works/3166
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