Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian

This thesis describes the production of A Little Creation, a play that I wrote and developed, which took place on the Frederic Wood stage during November 2011. The intent was to workshop my original script as a dramatic piece and explore its theatrical and visual elements. It was initially planned...

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Main Author: Vanessa, Imeson Lynne
Language:English
Published: University of British Columbia 2012
Online Access:http://hdl.handle.net/2429/43081
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.-430812013-06-05T04:21:03ZWorkshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indianVanessa, Imeson LynneThis thesis describes the production of A Little Creation, a play that I wrote and developed, which took place on the Frederic Wood stage during November 2011. The intent was to workshop my original script as a dramatic piece and explore its theatrical and visual elements. It was initially planned for the black box space of the Dorothy Somerset Studio on the University of British Columbia Campus, but was shifted to the Frederic Wood Theatre main stage. This shift to a much larger venue meant an increase in production scale and technical possibilities; the production literally grew to fit the space. The workshop production ran for three evening performances and one matinee during the week of November 24th until the 26th, 2011. Advisors for the project were Professor Alison Green, Professor Dory Nason, Professor Ron Fedoruk and Melody Anderson. The workshop consisted of a staged realization of my script in progress of the same title where I functioned as playwright, puppet designer and developer, as well as costume and set designer. In collaboration with Director Patrick New, UBC MFA candidate in Direction, Stage Manager Ashley Noyes, Designers Gua Khee Chong (Sound), Emily Hartig (Lighting), Jon Tsang (Lighting Supervisor), Brady Villadsen (Projections) Carolyn Rapanos (Graffiti and Head painter), and Actors Nyla Carpentier, Alex Carr, Meaghan Chenosky, Laura Fukumoto, David Kaye, Ashley McAllister and Lisa Smith, the workshop was intended to explore my creative process as an Indigenous person and artist alike, and to create a theatrical piece that I wanted to design rather than design a director’s vision; which is often the case. This thesis is a description of that workshop process concluding in an evaluation of the workshop and its effect on my creative process.University of British Columbia2012-08-29T21:37:35Z2012-08-29T21:37:35Z20122012-08-292013-11Electronic Thesis or Dissertationhttp://hdl.handle.net/2429/43081eng
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language English
sources NDLTD
description This thesis describes the production of A Little Creation, a play that I wrote and developed, which took place on the Frederic Wood stage during November 2011. The intent was to workshop my original script as a dramatic piece and explore its theatrical and visual elements. It was initially planned for the black box space of the Dorothy Somerset Studio on the University of British Columbia Campus, but was shifted to the Frederic Wood Theatre main stage. This shift to a much larger venue meant an increase in production scale and technical possibilities; the production literally grew to fit the space. The workshop production ran for three evening performances and one matinee during the week of November 24th until the 26th, 2011. Advisors for the project were Professor Alison Green, Professor Dory Nason, Professor Ron Fedoruk and Melody Anderson. The workshop consisted of a staged realization of my script in progress of the same title where I functioned as playwright, puppet designer and developer, as well as costume and set designer. In collaboration with Director Patrick New, UBC MFA candidate in Direction, Stage Manager Ashley Noyes, Designers Gua Khee Chong (Sound), Emily Hartig (Lighting), Jon Tsang (Lighting Supervisor), Brady Villadsen (Projections) Carolyn Rapanos (Graffiti and Head painter), and Actors Nyla Carpentier, Alex Carr, Meaghan Chenosky, Laura Fukumoto, David Kaye, Ashley McAllister and Lisa Smith, the workshop was intended to explore my creative process as an Indigenous person and artist alike, and to create a theatrical piece that I wanted to design rather than design a director’s vision; which is often the case. This thesis is a description of that workshop process concluding in an evaluation of the workshop and its effect on my creative process.
author Vanessa, Imeson Lynne
spellingShingle Vanessa, Imeson Lynne
Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
author_facet Vanessa, Imeson Lynne
author_sort Vanessa, Imeson Lynne
title Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
title_short Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
title_full Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
title_fullStr Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
title_full_unstemmed Workshopping A Little Creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
title_sort workshopping a little creation : a scenographic approach to theatre for young audiences, oral tradition and the concrete indian
publisher University of British Columbia
publishDate 2012
url http://hdl.handle.net/2429/43081
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