Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle

Bound to violence (1968) is the first novel written by the Malian author Yambo Ouologuem. Winner of the Renaudot Award (November 1968), the novel was pulled from bookstore shelves by the French editor in the early 1970’s, following the accusations of plagiarism, which never went to trial. When the F...

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Main Author: Habumukiza, Antoine
Other Authors: Queen's University (Kingston, Ont.). Theses (Queen's University (Kingston, Ont.))
Format: Others
Language:en
fr
Published: 2009
Subjects:
Online Access:http://hdl.handle.net/1974/5270
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-OKQ.1974-52702013-12-20T03:39:30ZLe Devoir de violence de Yambo Ouologuem: Une lecture intertextuelleHabumukiza, AntoineAfrican Literature,Yambo Ouologuem,Postmodern Movement,Literary Criticism,IntertextualityBound to violence (1968) is the first novel written by the Malian author Yambo Ouologuem. Winner of the Renaudot Award (November 1968), the novel was pulled from bookstore shelves by the French editor in the early 1970’s, following the accusations of plagiarism, which never went to trial. When the French text is reprinted in 2003, it is presented as an attempt to rehabilitate its reputation to the francophone public. Our study analyzes the intertextual practices, of which plagiarism is a major constituent, that are the foundation of the innovative narrative process of Bound to violence. The author appropriates the texts of the occidental novel as well as of the Bible, which various theories of intertextuality allow to identify. Similarly, the paratext of Bound to violence, which categorizes it as a novel, permits the blending of different discourses of that period in a mixture of narratives and genres. The novel presents “fixed” discourses such as the story of Hamitic Myth, ideological discourses about blackness and colonialism but also discourse about society, particularly History. The intertextual and hypertextual practices allow a fusion of narratives and genres which defines the novel’s originality. This study goes beyond a simple listing of the literary texts which are part of Bound to violence and examines the elaboration of an intertextual link between Bound to violence and other literary texts, as well as their function in the newly created novel.Thesis (Master, French) -- Queen's University, 2009-10-06 17:23:10.38Queen's University (Kingston, Ont.). Theses (Queen's University (Kingston, Ont.))2009-10-06 17:23:10.382009-10-07T17:59:25Z2009-10-07T17:59:25Z2009-10-07T17:59:25ZThesis1171220 bytesapplication/pdfhttp://hdl.handle.net/1974/5270enfrCanadian thesesThis publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.
collection NDLTD
language en
fr
format Others
sources NDLTD
topic African Literature,Yambo Ouologuem,Postmodern Movement,Literary Criticism,Intertextuality
spellingShingle African Literature,Yambo Ouologuem,Postmodern Movement,Literary Criticism,Intertextuality
Habumukiza, Antoine
Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle
description Bound to violence (1968) is the first novel written by the Malian author Yambo Ouologuem. Winner of the Renaudot Award (November 1968), the novel was pulled from bookstore shelves by the French editor in the early 1970’s, following the accusations of plagiarism, which never went to trial. When the French text is reprinted in 2003, it is presented as an attempt to rehabilitate its reputation to the francophone public. Our study analyzes the intertextual practices, of which plagiarism is a major constituent, that are the foundation of the innovative narrative process of Bound to violence. The author appropriates the texts of the occidental novel as well as of the Bible, which various theories of intertextuality allow to identify. Similarly, the paratext of Bound to violence, which categorizes it as a novel, permits the blending of different discourses of that period in a mixture of narratives and genres. The novel presents “fixed” discourses such as the story of Hamitic Myth, ideological discourses about blackness and colonialism but also discourse about society, particularly History. The intertextual and hypertextual practices allow a fusion of narratives and genres which defines the novel’s originality. This study goes beyond a simple listing of the literary texts which are part of Bound to violence and examines the elaboration of an intertextual link between Bound to violence and other literary texts, as well as their function in the newly created novel. === Thesis (Master, French) -- Queen's University, 2009-10-06 17:23:10.38
author2 Queen's University (Kingston, Ont.). Theses (Queen's University (Kingston, Ont.))
author_facet Queen's University (Kingston, Ont.). Theses (Queen's University (Kingston, Ont.))
Habumukiza, Antoine
author Habumukiza, Antoine
author_sort Habumukiza, Antoine
title Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle
title_short Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle
title_full Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle
title_fullStr Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle
title_full_unstemmed Le Devoir de violence de Yambo Ouologuem: Une lecture intertextuelle
title_sort le devoir de violence de yambo ouologuem: une lecture intertextuelle
publishDate 2009
url http://hdl.handle.net/1974/5270
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