Craftivism in Canada: Exploring Identity Through Politically Charged Textiles

The objective of this thesis is to address the marginalization of craft, specifically textiles, within the Canadian art history canon by isolating and analyzing specific case studies that represent the role of the contemporary textile artists in the modern Canadian arts and culture community. By inv...

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Main Author: May, Christine
Format: Others
Published: 2012
Online Access:http://spectrum.library.concordia.ca/974830/4/May_MA_F2012.pdf
May, Christine <http://spectrum.library.concordia.ca/view/creators/May=3AChristine=3A=3A.html> (2012) Craftivism in Canada: Exploring Identity Through Politically Charged Textiles. Masters thesis, Concordia University.
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.9748302013-10-22T03:47:02Z Craftivism in Canada: Exploring Identity Through Politically Charged Textiles May, Christine The objective of this thesis is to address the marginalization of craft, specifically textiles, within the Canadian art history canon by isolating and analyzing specific case studies that represent the role of the contemporary textile artists in the modern Canadian arts and culture community. By investigating the work of contemporary textile artists Cindy Baker, Allyson Mitchell, and Anthea Black, I will indicate the ways in which they have made significant contributions to the development and acceptance of contemporary craft in Canada, not simply through their own art practice, but also as lecturers, writers, and curators. These artists have impacted the world of Craftivism, the culmination of modern day activism and craft, making the Canadian Craftivist scene innovative, cutting edge, and politically relevant. 2012-09-24 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/974830/4/May_MA_F2012.pdf May, Christine <http://spectrum.library.concordia.ca/view/creators/May=3AChristine=3A=3A.html> (2012) Craftivism in Canada: Exploring Identity Through Politically Charged Textiles. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/974830/
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description The objective of this thesis is to address the marginalization of craft, specifically textiles, within the Canadian art history canon by isolating and analyzing specific case studies that represent the role of the contemporary textile artists in the modern Canadian arts and culture community. By investigating the work of contemporary textile artists Cindy Baker, Allyson Mitchell, and Anthea Black, I will indicate the ways in which they have made significant contributions to the development and acceptance of contemporary craft in Canada, not simply through their own art practice, but also as lecturers, writers, and curators. These artists have impacted the world of Craftivism, the culmination of modern day activism and craft, making the Canadian Craftivist scene innovative, cutting edge, and politically relevant.
author May, Christine
spellingShingle May, Christine
Craftivism in Canada: Exploring Identity Through Politically Charged Textiles
author_facet May, Christine
author_sort May, Christine
title Craftivism in Canada: Exploring Identity Through Politically Charged Textiles
title_short Craftivism in Canada: Exploring Identity Through Politically Charged Textiles
title_full Craftivism in Canada: Exploring Identity Through Politically Charged Textiles
title_fullStr Craftivism in Canada: Exploring Identity Through Politically Charged Textiles
title_full_unstemmed Craftivism in Canada: Exploring Identity Through Politically Charged Textiles
title_sort craftivism in canada: exploring identity through politically charged textiles
publishDate 2012
url http://spectrum.library.concordia.ca/974830/4/May_MA_F2012.pdf
May, Christine <http://spectrum.library.concordia.ca/view/creators/May=3AChristine=3A=3A.html> (2012) Craftivism in Canada: Exploring Identity Through Politically Charged Textiles. Masters thesis, Concordia University.
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