The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility
This thesis examines and analyzes the controversy around white rapper Eminem to inspect the way in which black and white theories of belonging function within an American context. The assumption behind the racial dichotomy that defines whites and blacks in oppositional positive and negative terms pr...
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2002
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ndltd-LACETR-oai-collectionscanada.gc.ca-QMM.295022014-02-13T03:42:34ZThe new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibilityFernandes, DeniseHip-hopMusic and raceThis thesis examines and analyzes the controversy around white rapper Eminem to inspect the way in which black and white theories of belonging function within an American context. The assumption behind the racial dichotomy that defines whites and blacks in oppositional positive and negative terms presumes that identity is structured along race stereotypes. This belief is evident in the differing responses to Eminem's affiliation with hip-hop culture and through the extent in which he employs hip-hop cultural forms, styles, and traits into his rap image. Although a popular mainstream artist, Eminem (and his "thug" Slim Shady alter ego) maintains his credibility within hip-hop circles by using elements of parody, play, and persona to depict his satirical views of American life. Finally, the systematic attacks against Eminem that label him as deviant are rarely levelled against other black rappers, exposing the different societal expectations that exist for whites and blacks.McGill UniversityStraw, William (advisor)2002Electronic Thesis or Dissertationapplication/pdfenalephsysno: 001956201proquestno: MQ85853Theses scanned by UMI/ProQuest.All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.Master of Arts (Department of Art History and Communication Studies.) http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29502 |
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Hip-hop Music and race |
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Hip-hop Music and race Fernandes, Denise The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
description |
This thesis examines and analyzes the controversy around white rapper Eminem to inspect the way in which black and white theories of belonging function within an American context. The assumption behind the racial dichotomy that defines whites and blacks in oppositional positive and negative terms presumes that identity is structured along race stereotypes. This belief is evident in the differing responses to Eminem's affiliation with hip-hop culture and through the extent in which he employs hip-hop cultural forms, styles, and traits into his rap image. Although a popular mainstream artist, Eminem (and his "thug" Slim Shady alter ego) maintains his credibility within hip-hop circles by using elements of parody, play, and persona to depict his satirical views of American life. Finally, the systematic attacks against Eminem that label him as deviant are rarely levelled against other black rappers, exposing the different societal expectations that exist for whites and blacks. |
author2 |
Straw, William (advisor) |
author_facet |
Straw, William (advisor) Fernandes, Denise |
author |
Fernandes, Denise |
author_sort |
Fernandes, Denise |
title |
The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
title_short |
The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
title_full |
The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
title_fullStr |
The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
title_full_unstemmed |
The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
title_sort |
new "role model" for the hip-hop generation : dissecting the hype to locate eminem, slim shady, and marshall mathers through race relations, black cool, media coverage, and the search for hip-hop credibility |
publisher |
McGill University |
publishDate |
2002 |
url |
http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29502 |
work_keys_str_mv |
AT fernandesdenise thenewrolemodelforthehiphopgenerationdissectingthehypetolocateeminemslimshadyandmarshallmathersthroughracerelationsblackcoolmediacoverageandthesearchforhiphopcredibility AT fernandesdenise newrolemodelforthehiphopgenerationdissectingthehypetolocateeminemslimshadyandmarshallmathersthroughracerelationsblackcoolmediacoverageandthesearchforhiphopcredibility |
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