An application of Max/MSP in the field of live electro-acoustic music : a case study
For many years the integration of real-time digital audio signal processing with dynamic control has been one of the most significant issues facing live electro-acoustic music. While real-time electro-acoustic music systems began to appear as early as the 1970's, for approximately two decades a...
Main Author: | Protsidym, Oles. |
---|---|
Other Authors: | Pennycook, Bruce (advisor) |
Format: | Others |
Language: | en |
Published: |
McGill University
1999
|
Subjects: | |
Online Access: | http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37595 |
Similar Items
-
The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967–1975
by: Dr James Mooney
Published: (2017-04-01) -
Max Neuhaus and the Musical Avant-Garde
by: Murph, Megan Elizabeth
Published: (2013) -
Musical compositions exploring real-time human-computer interaction with acoustic instruments
by: Sum, Ka Yi Kelly
Published: (2008) -
Trails by a river: for large orchestra and electronic sounds (MAX/MSP)
by: Barros, Alfredo Jacinto de, 1966-
Published: (2008) -
Live Coding: A New Approach to Musical Composition
by: Alexandra Cardenas
Published: (2018-11-01)