An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk
The purpose of this study is to gain a insight into the realm of solo jazz vibraphone performance through the transcription and analysis of Gary Burton's improvised solo on "Blue Monk" by Thelonious Monk, recorded on the Album Face to Face with pianist Makoto Ozone. Gary Burton is th...
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ndltd-LSU-oai-etd.lsu.edu-etd-10292007-1248592013-01-07T22:51:25Z An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk Brooks, Charles Bryant Music The purpose of this study is to gain a insight into the realm of solo jazz vibraphone performance through the transcription and analysis of Gary Burton's improvised solo on "Blue Monk" by Thelonious Monk, recorded on the Album Face to Face with pianist Makoto Ozone. Gary Burton is the inventor of the "Burton grip," a four-mallet grip used for vibraphone performance. His individual approach to playing the vibraphone and highly developed technique seem unattainable for many students of percussion. Nonetheless,many vibraphonists, including Burton, have published method books about his grip and its application. In order to emulate his style diligent study and practice are required. His grip revolutionized the world of keyboard percussion performance and is now part of the standard curriculum in many university percussion studios. This study will aid the percussion student in the discovery and development of the necessary tools required to develop an approach to vibraphone performance through the analysis of Burton's musical style and technique. Chapter 1 outlines the history of jazz vibraphone performance in the United States, beginning with the earliest recordings and progressing through various stages of jazz history to the present. This chapter also contains a brief biography of Gary Burton and the impact of his mallet grip on the percussion world. Chapter 2 begins with an introduction explaining the selection of Burton's recording of "Blue Monk." It then proceeds with a musical analysis of Burton's improvised solo, elaborating on his development of rhythm and melody. Chapter 3 is a technical analysis with musical examples from his improvised solo, discussing origins of the techniques used and how the Burton grip applies. Willis Delony Joseph Skillen Dinos Constantinides Robert Peck Robert Perlis LSU 2007-11-05 text application/pdf http://etd.lsu.edu/docs/available/etd-10292007-124859/ http://etd.lsu.edu/docs/available/etd-10292007-124859/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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Music Brooks, Charles Bryant An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk |
description |
The purpose of this study is to gain a insight into the realm of solo jazz vibraphone performance through the transcription and analysis of Gary Burton's improvised solo on "Blue Monk" by Thelonious Monk, recorded on the Album Face to Face with pianist Makoto Ozone.
Gary Burton is the inventor of the "Burton grip," a four-mallet grip used for vibraphone performance. His individual approach to playing the vibraphone and highly developed technique seem unattainable for many students of percussion. Nonetheless,many vibraphonists, including Burton, have published method books about his grip and its application. In order to emulate his style diligent study and practice are required. His grip revolutionized the world of keyboard percussion performance and is now part of the standard curriculum in many university percussion studios. This study will aid the percussion student in the discovery and development of the necessary tools required to develop an approach to vibraphone performance through the analysis of Burton's musical style and technique.
Chapter 1 outlines the history of jazz vibraphone performance in the United States, beginning with the earliest recordings and progressing through various stages of jazz history to the present. This chapter also contains a brief biography of Gary Burton and the impact of his mallet grip on the percussion world.
Chapter 2 begins with an introduction explaining the selection of Burton's recording of "Blue Monk." It then proceeds with a musical analysis of Burton's improvised solo, elaborating on his development of rhythm and melody.
Chapter 3 is a technical analysis with musical examples from his improvised solo, discussing origins of the techniques used and how the Burton grip applies. |
author2 |
Willis Delony |
author_facet |
Willis Delony Brooks, Charles Bryant |
author |
Brooks, Charles Bryant |
author_sort |
Brooks, Charles Bryant |
title |
An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk |
title_short |
An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk |
title_full |
An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk |
title_fullStr |
An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk |
title_full_unstemmed |
An Analytical Approach to Vibraphone Performance through Transcription and Analysis of Gary Burton's Solo on Blue Monk |
title_sort |
analytical approach to vibraphone performance through transcription and analysis of gary burton's solo on blue monk |
publisher |
LSU |
publishDate |
2007 |
url |
http://etd.lsu.edu/docs/available/etd-10292007-124859/ |
work_keys_str_mv |
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