Absurd machine : project on the National Mall

Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012. === This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections. === Cataloged from student-submitted PDF version of thesis. === In...

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Main Author: Ansari, Amna (Amna K.)
Other Authors: Alexander D'Hooghe and Arindam Dutta.
Format: Others
Language:English
Published: Massachusetts Institute of Technology 2012
Subjects:
Online Access:http://hdl.handle.net/1721.1/72615
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spelling ndltd-MIT-oai-dspace.mit.edu-1721.1-726152019-05-02T16:26:10Z Absurd machine : project on the National Mall Project on the National Mall Ansari, Amna (Amna K.) Alexander D'Hooghe and Arindam Dutta. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012. This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections. Cataloged from student-submitted PDF version of thesis. Includes bibliographical references. America's symbols of governance, such as the ubiquitous state capitols and state capitol malls, are classically inspired European architecture and planning of reason and nature, adopted in America by Jefferson in 18th century as symbols of democratic institutions. These symbols are in contradiction to our evolving dialogue with democracy that are subject to laws of 'proper' use and extreme security. The National Mall as a symbol of democratic values, has been reduced to a synthetic image of stability built upon a preserved image that masks the underlying issues of a compromised territory of, unstable boundaries governed by ad-hoc laws, and privatized overtones that distort the otherwise democratic message embodied by these symbols of governance. Throughout American cities these same conditions are stifling otherwise democratic public spaces. This thesis articulates the representation of the last democratic space in America, post 9-11, as a critique based proposal that challenges our current and future negotiations with power in the built environment. Recognizing the challenge of a formal intervention upon a contradictory site, the National Mall will serve as the stage for testing a democratic space that communicates the asymmetrical relationships of public's dialogue with governance in 'public' spaces. While the Mall cannot be upheld as an egalitarian field, objects however can substantiate or infuse a democratic field within. This thesis justifies a form necessary to represent such a space, investigating compromised symbols that can be appropriated and redefined to provide functions and representation of conditions the National Mall distorts. The proposal infuses within the program responses to all major impositions of public spaces as a method of exposing the unstable conditions of democratic values residing on comprised fields. The purpose is not to render an ideal democratic space, but an independently operating machinelike space that highlights the context's incongruous relationships. by Amna Ansari. S.M. 2012-09-11T17:26:24Z 2012-09-11T17:26:24Z 2012 2012 Thesis http://hdl.handle.net/1721.1/72615 805937927 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 125 p. application/pdf n-us-dc Massachusetts Institute of Technology
collection NDLTD
language English
format Others
sources NDLTD
topic Architecture.
spellingShingle Architecture.
Ansari, Amna (Amna K.)
Absurd machine : project on the National Mall
description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012. === This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections. === Cataloged from student-submitted PDF version of thesis. === Includes bibliographical references. === America's symbols of governance, such as the ubiquitous state capitols and state capitol malls, are classically inspired European architecture and planning of reason and nature, adopted in America by Jefferson in 18th century as symbols of democratic institutions. These symbols are in contradiction to our evolving dialogue with democracy that are subject to laws of 'proper' use and extreme security. The National Mall as a symbol of democratic values, has been reduced to a synthetic image of stability built upon a preserved image that masks the underlying issues of a compromised territory of, unstable boundaries governed by ad-hoc laws, and privatized overtones that distort the otherwise democratic message embodied by these symbols of governance. Throughout American cities these same conditions are stifling otherwise democratic public spaces. This thesis articulates the representation of the last democratic space in America, post 9-11, as a critique based proposal that challenges our current and future negotiations with power in the built environment. Recognizing the challenge of a formal intervention upon a contradictory site, the National Mall will serve as the stage for testing a democratic space that communicates the asymmetrical relationships of public's dialogue with governance in 'public' spaces. While the Mall cannot be upheld as an egalitarian field, objects however can substantiate or infuse a democratic field within. This thesis justifies a form necessary to represent such a space, investigating compromised symbols that can be appropriated and redefined to provide functions and representation of conditions the National Mall distorts. The proposal infuses within the program responses to all major impositions of public spaces as a method of exposing the unstable conditions of democratic values residing on comprised fields. The purpose is not to render an ideal democratic space, but an independently operating machinelike space that highlights the context's incongruous relationships. === by Amna Ansari. === S.M.
author2 Alexander D'Hooghe and Arindam Dutta.
author_facet Alexander D'Hooghe and Arindam Dutta.
Ansari, Amna (Amna K.)
author Ansari, Amna (Amna K.)
author_sort Ansari, Amna (Amna K.)
title Absurd machine : project on the National Mall
title_short Absurd machine : project on the National Mall
title_full Absurd machine : project on the National Mall
title_fullStr Absurd machine : project on the National Mall
title_full_unstemmed Absurd machine : project on the National Mall
title_sort absurd machine : project on the national mall
publisher Massachusetts Institute of Technology
publishDate 2012
url http://hdl.handle.net/1721.1/72615
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