Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel

The church music of the Southern African Dutch Reformed Church is in the midst of a paradigm shift: traditional liturgy is changing; in many church services well-known organ music and congregational singing are making way for music in a contemporary style. A music band is often used instead of the o...

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Main Author: Swanepoel, Isabeau Louise
Language:other
Published: 2014
Subjects:
Online Access:http://hdl.handle.net/10394/12039
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spelling ndltd-NWUBOLOKA1-oai-dspace.nwu.ac.za-10394-120392016-03-16T04:01:07ZDie effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise SwanepoelSwanepoel, Isabeau LouiseKerkmusiekKontemporêre liturgiese musiekLiturgieLiturgiese orrelmusiekMusiekbedieningMusiekbedieningsgroepPostmodernChurch musicContemporary liturgical musicLiturgyLiturgical organ musicMusic ministryBandPost-modernThe church music of the Southern African Dutch Reformed Church is in the midst of a paradigm shift: traditional liturgy is changing; in many church services well-known organ music and congregational singing are making way for music in a contemporary style. A music band is often used instead of the organ and hymns from the Liedboek are mostly replaced by songs in various styles. Traditional liturgical music is in a period of uncertainty and experimentation. The views of clergymen and church musicians seem to often and increasingly diverge when considering spirituality of the services and the role that congregational music plays in the spirituality. Research has shown that the organ is still the music instrument of choice for services of the Dutch Reformed Church and that 90% of clergymen find the use of organ music in church a positive experience. The average post-modern church member prefers that traditional and current musical styles are used side-by-side in the liturgy and liturgical music of the church to cater for the requirements of the different spiritual styles in congregations. The writer establishes that effective organ playing, with or without other instruments, can adequately provide for the majority of these post-modern worship styles. It is necessary that organists adapt to the changing demands of congregations through continued studies.MMus (Musicology), North-West University, Potchefstroom Campus, 20142014-10-28T10:08:19Z2014-10-28T10:08:19Z2014Thesishttp://hdl.handle.net/10394/12039other
collection NDLTD
language other
sources NDLTD
topic Kerkmusiek
Kontemporêre liturgiese musiek
Liturgie
Liturgiese orrelmusiek
Musiekbediening
Musiekbedieningsgroep
Postmodern
Church music
Contemporary liturgical music
Liturgy
Liturgical organ music
Music ministry
Band
Post-modern
spellingShingle Kerkmusiek
Kontemporêre liturgiese musiek
Liturgie
Liturgiese orrelmusiek
Musiekbediening
Musiekbedieningsgroep
Postmodern
Church music
Contemporary liturgical music
Liturgy
Liturgical organ music
Music ministry
Band
Post-modern
Swanepoel, Isabeau Louise
Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel
description The church music of the Southern African Dutch Reformed Church is in the midst of a paradigm shift: traditional liturgy is changing; in many church services well-known organ music and congregational singing are making way for music in a contemporary style. A music band is often used instead of the organ and hymns from the Liedboek are mostly replaced by songs in various styles. Traditional liturgical music is in a period of uncertainty and experimentation. The views of clergymen and church musicians seem to often and increasingly diverge when considering spirituality of the services and the role that congregational music plays in the spirituality. Research has shown that the organ is still the music instrument of choice for services of the Dutch Reformed Church and that 90% of clergymen find the use of organ music in church a positive experience. The average post-modern church member prefers that traditional and current musical styles are used side-by-side in the liturgy and liturgical music of the church to cater for the requirements of the different spiritual styles in congregations. The writer establishes that effective organ playing, with or without other instruments, can adequately provide for the majority of these post-modern worship styles. It is necessary that organists adapt to the changing demands of congregations through continued studies. === MMus (Musicology), North-West University, Potchefstroom Campus, 2014
author Swanepoel, Isabeau Louise
author_facet Swanepoel, Isabeau Louise
author_sort Swanepoel, Isabeau Louise
title Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel
title_short Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel
title_full Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel
title_fullStr Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel
title_full_unstemmed Die effektiewe benutting van die orrel in die liturgie van die hedendaagse Nederduitse Gereformeerde Kerk / Isabeau Louise Swanepoel
title_sort die effektiewe benutting van die orrel in die liturgie van die hedendaagse nederduitse gereformeerde kerk / isabeau louise swanepoel
publishDate 2014
url http://hdl.handle.net/10394/12039
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