Las flexiones del arquetipo en la obra de Mies van der Rohe
From the projects developed by Mies in 1929 - the Tugendhat house and the German Pavilion for the Universal Exposition in Barcelona - we could say that it is showed in a more evident way a phase of experimentation, in which he stands apart from his contemporaries. For example, in these projects he u...
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| Format: | Doctoral Thesis |
| Language: | Spanish |
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Universitat Politècnica de Catalunya
2015
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| Online Access: | http://hdl.handle.net/10803/288219 |