Las flexiones del arquetipo en la obra de Mies van der Rohe
From the projects developed by Mies in 1929 - the Tugendhat house and the German Pavilion for the Universal Exposition in Barcelona - we could say that it is showed in a more evident way a phase of experimentation, in which he stands apart from his contemporaries. For example, in these projects he u...
Main Author: | Lanuza Jarquín, Carlos |
---|---|
Other Authors: | Armesto, Antonio |
Format: | Doctoral Thesis |
Language: | Spanish |
Published: |
Universitat Politècnica de Catalunya
2015
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Subjects: | |
Online Access: | http://hdl.handle.net/10803/288219 |
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