Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
碩士 === 輔仁大學 === 英國語文學研究所 === 84 === Analyzing Fitzgerald's women from a different critical approachbased on the two concepts of "social identity" and "emotional identity,"this thesis intends to propose that women...
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ndltd-TW-084FJU002380022015-10-13T12:28:53Z http://ndltd.ncl.edu.tw/handle/33922455052715107538 Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night 女人,妳的名字是現實:費滋傑羅《大亨小傳》與《夜未央》中女性角色的探究 Yang, Grace Li-Ling 楊麗玲 碩士 輔仁大學 英國語文學研究所 84 Analyzing Fitzgerald's women from a different critical approachbased on the two concepts of "social identity" and "emotional identity,"this thesis intends to propose that women in The Great Gatsby and TenderIs the Night constitute a family of reality. Daisy Fay Buchanan is an upper class sister changed hues, whose identity fluctuates from emotionalto social, romantic to socio-materialistic. Myrtle Wilson is a poor working-class sister who always yearns for the symbolic discourse of thearistocracy. Nicole Warren Diver is a leisure- class sister who initiallysituates herself in the context of emotional principles and eventuallyidentifies herself with the symbolic discourse in which she is a part.Rosemary Hoyt is the daughter of this family, who, nourished by its socialidentity, practices and follows it accordingly. Baby Warren is the head ofthis family, whose identity is steadfastly located in the stream of thehard, amoral reality. Read in this way, contrary to Fitzgerald's male protagonists who are universally acknowledged dreamers, his femalecharacters are unrecognized realists. Nicholas Koss 康士林 1996 學位論文 ; thesis 101 zh-TW |
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zh-TW |
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碩士 === 輔仁大學 === 英國語文學研究所 === 84 === Analyzing Fitzgerald's women from a different critical
approachbased on the two concepts of "social identity" and
"emotional identity,"this thesis intends to propose that women
in The Great Gatsby and TenderIs the Night constitute a family
of reality. Daisy Fay Buchanan is an upper class sister changed
hues, whose identity fluctuates from emotionalto social,
romantic to socio-materialistic. Myrtle Wilson is a poor
working-class sister who always yearns for the symbolic
discourse of thearistocracy. Nicole Warren Diver is a leisure-
class sister who initiallysituates herself in the context of
emotional principles and eventuallyidentifies herself with the
symbolic discourse in which she is a part.Rosemary Hoyt is the
daughter of this family, who, nourished by its socialidentity,
practices and follows it accordingly. Baby Warren is the head
ofthis family, whose identity is steadfastly located in the
stream of thehard, amoral reality. Read in this way, contrary
to Fitzgerald's male protagonists who are universally
acknowledged dreamers, his femalecharacters are unrecognized
realists.
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author2 |
Nicholas Koss |
author_facet |
Nicholas Koss Yang, Grace Li-Ling 楊麗玲 |
author |
Yang, Grace Li-Ling 楊麗玲 |
spellingShingle |
Yang, Grace Li-Ling 楊麗玲 Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night |
author_sort |
Yang, Grace Li-Ling |
title |
Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night |
title_short |
Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night |
title_full |
Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night |
title_fullStr |
Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night |
title_full_unstemmed |
Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night |
title_sort |
women, thy name is reality: fitzgerald's women in the great gatsby and tender is the night |
publishDate |
1996 |
url |
http://ndltd.ncl.edu.tw/handle/33922455052715107538 |
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