Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night

碩士 === 輔仁大學 === 英國語文學研究所 === 84 === Analyzing Fitzgerald's women from a different critical approachbased on the two concepts of "social identity" and "emotional identity,"this thesis intends to propose that women...

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Main Authors: Yang, Grace Li-Ling, 楊麗玲
Other Authors: Nicholas Koss
Format: Others
Language:zh-TW
Published: 1996
Online Access:http://ndltd.ncl.edu.tw/handle/33922455052715107538
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spelling ndltd-TW-084FJU002380022015-10-13T12:28:53Z http://ndltd.ncl.edu.tw/handle/33922455052715107538 Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night 女人,妳的名字是現實:費滋傑羅《大亨小傳》與《夜未央》中女性角色的探究 Yang, Grace Li-Ling 楊麗玲 碩士 輔仁大學 英國語文學研究所 84 Analyzing Fitzgerald's women from a different critical approachbased on the two concepts of "social identity" and "emotional identity,"this thesis intends to propose that women in The Great Gatsby and TenderIs the Night constitute a family of reality. Daisy Fay Buchanan is an upper class sister changed hues, whose identity fluctuates from emotionalto social, romantic to socio-materialistic. Myrtle Wilson is a poor working-class sister who always yearns for the symbolic discourse of thearistocracy. Nicole Warren Diver is a leisure- class sister who initiallysituates herself in the context of emotional principles and eventuallyidentifies herself with the symbolic discourse in which she is a part.Rosemary Hoyt is the daughter of this family, who, nourished by its socialidentity, practices and follows it accordingly. Baby Warren is the head ofthis family, whose identity is steadfastly located in the stream of thehard, amoral reality. Read in this way, contrary to Fitzgerald's male protagonists who are universally acknowledged dreamers, his femalecharacters are unrecognized realists. Nicholas Koss 康士林 1996 學位論文 ; thesis 101 zh-TW
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language zh-TW
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description 碩士 === 輔仁大學 === 英國語文學研究所 === 84 === Analyzing Fitzgerald's women from a different critical approachbased on the two concepts of "social identity" and "emotional identity,"this thesis intends to propose that women in The Great Gatsby and TenderIs the Night constitute a family of reality. Daisy Fay Buchanan is an upper class sister changed hues, whose identity fluctuates from emotionalto social, romantic to socio-materialistic. Myrtle Wilson is a poor working-class sister who always yearns for the symbolic discourse of thearistocracy. Nicole Warren Diver is a leisure- class sister who initiallysituates herself in the context of emotional principles and eventuallyidentifies herself with the symbolic discourse in which she is a part.Rosemary Hoyt is the daughter of this family, who, nourished by its socialidentity, practices and follows it accordingly. Baby Warren is the head ofthis family, whose identity is steadfastly located in the stream of thehard, amoral reality. Read in this way, contrary to Fitzgerald's male protagonists who are universally acknowledged dreamers, his femalecharacters are unrecognized realists.
author2 Nicholas Koss
author_facet Nicholas Koss
Yang, Grace Li-Ling
楊麗玲
author Yang, Grace Li-Ling
楊麗玲
spellingShingle Yang, Grace Li-Ling
楊麗玲
Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
author_sort Yang, Grace Li-Ling
title Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
title_short Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
title_full Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
title_fullStr Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
title_full_unstemmed Women, Thy Name Is Reality: Fitzgerald's Women in The Great Gatsby And Tender Is the Night
title_sort women, thy name is reality: fitzgerald's women in the great gatsby and tender is the night
publishDate 1996
url http://ndltd.ncl.edu.tw/handle/33922455052715107538
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