Maternity, Female Subjectivity, and Creativity: the Maternal Discoursesin Kate Chopin's The Awakening and Margaret Atwood's The Handmaid's Tale

碩士 === 國立臺灣師範大學 === 英語學系 === 84 === Motherhood is a very complicated issue in feminism because of themother's ambivalent position between nature and culture. To confrontthe problem of motherhood is to deal with...

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Bibliographic Details
Main Authors: Li, Wan-Ling, 李宛玲
Other Authors: Ho Wen-Ching
Format: Others
Language:zh-TW
Published: 1996
Online Access:http://ndltd.ncl.edu.tw/handle/34508501175981073757
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Summary:碩士 === 國立臺灣師範大學 === 英語學系 === 84 === Motherhood is a very complicated issue in feminism because of themother's ambivalent position between nature and culture. To confrontthe problem of motherhood is to deal with woman's reproduction in termsof the debate between essentialism and constructionism. Many feministsconsider motherhood the root of woman's oppression; however, to talkabout woman's reproductive capability is not to identify with woman'sbiological destiny as prescribed by patriarchy, but to recognize thespecificity of woman's physiology and experience. In fact, the maternaldiscourse is closely related to the construction of femininity, femalesexuality, and sexual difference. This thesis is devoted to examining thedevelopment of maternal discourse in feminism, and to demonstrating thosechanges within motherhood through juxtaposing two women's noevls-- KateChopin's The Awakening and Margaret Atwood's The Handmaid's Tale.Before the postmodern age, many feminists stress the necessity and urgency ofthe pursuit of equality between man and woman, and advocate a completerejection of motherhood. The valorization of maternity leads to not only therepression of woman's sexuality, but also the rigid sexual division of labor.Thus, mothering for woman is nothing but suffering and oppression, and onlythrough complete denial of maternity can woman be emancipated. However, forpostmodern feminists, the pursuit of equality is replaced by the quest ofdifference or otherness. The rejection of motherhood is actually an erasure ofthe sexual difference and an identification with man. Hence, though stillrecognizing the oppressive aspect of motherhood, they turn to concentrate onthe positive side of the maternal experience through advocating the ecriturefeminine and exposing the disruptive power of the maternal body. Thisdevelopment of the maternal discourse from negating to affirming maternity isthe core of the introductory chapter. Chapter One examine the conflicbetween maternity and female subjectivity in Kate Chopin's The Awakening. Theconstrast between the mother- woman's partial existence and the solitary andpassionless autonomy of the female artist is woman's dilemma in thepatriarchal society. Although Edna can leave her husband, become economicallyindependent, and explore herselfhood by painting and sexual relationship, shecan never get rid of the maternal image constructed by patriarchy. Edna'sdeath insinuates the incompatibility between motherhood and female selfhoodin the patriarchal society. Chapter Two and Three explore the complexity ofmaternal discourse in Margaret Atwood's The Handmaid's Tale. In this novel,mothering is both painand pleasure, weakness and power. On the one hand,Atwood demonstrates that woman is dehumanized as an instrument of reproductionin Gilead. On the other hand, she reveals the pleasure of the maternalexperience, explores the ambivalence of motherhood, and examines the dichotomybetween mothering and writing. The different maternal discourses in these twonovels best illustrate the development of motherhood in feminism. Motheringmay be suffering and weakness, but it can also be gratification and power.