| Summary: | 碩士 === 臺南藝術學院 === 藝術史與藝術評論研究所 === 88 === Through examining craft technology and stylistic development of the comb-marked decoration, this thesis attempts to explore the role and significace this design played among all of the incised decoration of Song and Yuan ceramics. This research, by analyzing all archaeological materials, suggests that ceramics with comb-marked decoration found in ancient kiln sites could be classified into five styles. These styles, developing from realistic to abstract, represented different characteristics in different times and regions. Since the Tang dynasty on, along with the prosperity of "tea drinking culture" of that time, there was a kind of ceramic mortar used as tea-grinder which also had comb-marked design inside. The craft technology of it might have given Song and Yuan comb-marked decoration important stimulation. As international trading thriving at the time, Song and Yuan ceramics were exported overseas. They were not only beloved by Japanese; furthermore, the technology of comb-marked design also effected the decoration of Thai''s celladon in a large degree in the fourteenth century.
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