"Landscape beyond the world" for orchestra and its idea
碩士 === 國立交通大學 === 音樂研究所 === 89 === The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea. Landscape Beyond the World, an orchestral composition, is a single-movement piece...
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ndltd-TW-089NCTU02480032016-01-29T04:28:13Z http://ndltd.ncl.edu.tw/handle/78923425695083034032 "Landscape beyond the world" for orchestra and its idea 管絃樂作品《山水塵外》及其創作理念 Li, Yi-Chen 李貽宸 碩士 國立交通大學 音樂研究所 89 The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea. Landscape Beyond the World, an orchestral composition, is a single-movement piece that is based on my personal experience with reference to the aesthetic perception of Chinese landscape painting. The whole of the piece could be thought as an embodiment of the experience belonging to the feeling toward and concept of Chinese landscape painting. The composition quotes parts of the ku-ch’in’s melody of “Autumn Wind Poetry”, which is treated as the foundation of the tunes and the repository of emotional gestures in the piece. The quality of the piece is close to the “thin”, “pure” and “far” characteristics that have been emphasized in the Chinese poems and Chinese landscape painting. Wu, Ting-Lien 吳丁連 2001 學位論文 ; thesis 22 zh-TW |
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碩士 === 國立交通大學 === 音樂研究所 === 89 === The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea.
Landscape Beyond the World, an orchestral composition, is a single-movement piece that is based on my personal experience with reference to the aesthetic perception of Chinese landscape painting. The whole of the piece could be thought as an embodiment of the experience belonging to the feeling toward and concept of Chinese landscape painting.
The composition quotes parts of the ku-ch’in’s melody of “Autumn Wind Poetry”, which is treated as the foundation of the tunes and the repository of emotional gestures in the piece. The quality of the piece is close to the “thin”, “pure” and “far” characteristics that have been emphasized in the Chinese poems and Chinese landscape painting.
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Wu, Ting-Lien |
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Wu, Ting-Lien Li, Yi-Chen 李貽宸 |
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Li, Yi-Chen 李貽宸 |
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Li, Yi-Chen 李貽宸 "Landscape beyond the world" for orchestra and its idea |
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Li, Yi-Chen |
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"Landscape beyond the world" for orchestra and its idea |
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"Landscape beyond the world" for orchestra and its idea |
title_full |
"Landscape beyond the world" for orchestra and its idea |
title_fullStr |
"Landscape beyond the world" for orchestra and its idea |
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"Landscape beyond the world" for orchestra and its idea |
title_sort |
"landscape beyond the world" for orchestra and its idea |
publishDate |
2001 |
url |
http://ndltd.ncl.edu.tw/handle/78923425695083034032 |
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