"Landscape beyond the world" for orchestra and its idea

碩士 === 國立交通大學 === 音樂研究所 === 89 === The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea. Landscape Beyond the World, an orchestral composition, is a single-movement piece...

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Main Authors: Li, Yi-Chen, 李貽宸
Other Authors: Wu, Ting-Lien
Format: Others
Language:zh-TW
Published: 2001
Online Access:http://ndltd.ncl.edu.tw/handle/78923425695083034032
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spelling ndltd-TW-089NCTU02480032016-01-29T04:28:13Z http://ndltd.ncl.edu.tw/handle/78923425695083034032 "Landscape beyond the world" for orchestra and its idea 管絃樂作品《山水塵外》及其創作理念 Li, Yi-Chen 李貽宸 碩士 國立交通大學 音樂研究所 89 The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea. Landscape Beyond the World, an orchestral composition, is a single-movement piece that is based on my personal experience with reference to the aesthetic perception of Chinese landscape painting. The whole of the piece could be thought as an embodiment of the experience belonging to the feeling toward and concept of Chinese landscape painting. The composition quotes parts of the ku-ch’in’s melody of “Autumn Wind Poetry”, which is treated as the foundation of the tunes and the repository of emotional gestures in the piece. The quality of the piece is close to the “thin”, “pure” and “far” characteristics that have been emphasized in the Chinese poems and Chinese landscape painting. Wu, Ting-Lien 吳丁連 2001 學位論文 ; thesis 22 zh-TW
collection NDLTD
language zh-TW
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description 碩士 === 國立交通大學 === 音樂研究所 === 89 === The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea. Landscape Beyond the World, an orchestral composition, is a single-movement piece that is based on my personal experience with reference to the aesthetic perception of Chinese landscape painting. The whole of the piece could be thought as an embodiment of the experience belonging to the feeling toward and concept of Chinese landscape painting. The composition quotes parts of the ku-ch’in’s melody of “Autumn Wind Poetry”, which is treated as the foundation of the tunes and the repository of emotional gestures in the piece. The quality of the piece is close to the “thin”, “pure” and “far” characteristics that have been emphasized in the Chinese poems and Chinese landscape painting.
author2 Wu, Ting-Lien
author_facet Wu, Ting-Lien
Li, Yi-Chen
李貽宸
author Li, Yi-Chen
李貽宸
spellingShingle Li, Yi-Chen
李貽宸
"Landscape beyond the world" for orchestra and its idea
author_sort Li, Yi-Chen
title "Landscape beyond the world" for orchestra and its idea
title_short "Landscape beyond the world" for orchestra and its idea
title_full "Landscape beyond the world" for orchestra and its idea
title_fullStr "Landscape beyond the world" for orchestra and its idea
title_full_unstemmed "Landscape beyond the world" for orchestra and its idea
title_sort "landscape beyond the world" for orchestra and its idea
publishDate 2001
url http://ndltd.ncl.edu.tw/handle/78923425695083034032
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