Satie Piano Pieces "Sports et Divertissements"

碩士 === 國立中山大學 === 音樂學系研究所 === 89 === Erik Satie was active from the end of the nineteenth century to the beginning of the twentieth century in France. His style of composition is unique. Even though he is not classified to any denomination of music, the impact of the future can not be denied. First,...

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Main Authors: Te-Ming Hou, 侯德明
Other Authors: Pan-Ann Chen
Format: Others
Language:zh-TW
Published: 2001
Online Access:http://ndltd.ncl.edu.tw/handle/86356982581110620658
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spelling ndltd-TW-089NSYS52480102016-06-08T04:14:00Z http://ndltd.ncl.edu.tw/handle/86356982581110620658 Satie Piano Pieces "Sports et Divertissements" 薩悌鋼琴曲《運動與娛樂》特殊創作理念之探討 Te-Ming Hou 侯德明 碩士 國立中山大學 音樂學系研究所 89 Erik Satie was active from the end of the nineteenth century to the beginning of the twentieth century in France. His style of composition is unique. Even though he is not classified to any denomination of music, the impact of the future can not be denied. First, the thesis investigates Satie's compositional background to understand his learning experience and personality. Second, according to the four periods classified by The New Grove Dictionary of Music and Musicians, his music style from the first period to the third period will be discussed. Finally, the piano solo works "Sports et Divertissements" (1914) which belongs to the third period will be studied carefully. "Sports et Divertissements" combines diverse artistic elements such as music, pictures, and poems. A further research through studying the relation between music and pictures, the combination between music and poems, the association between music and visual elements, and Satie's unusual harmony will be explored. Pan-Ann Chen Mei-Wen Lee 陳盤安 李美文 2001 學位論文 ; thesis 49 zh-TW
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language zh-TW
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description 碩士 === 國立中山大學 === 音樂學系研究所 === 89 === Erik Satie was active from the end of the nineteenth century to the beginning of the twentieth century in France. His style of composition is unique. Even though he is not classified to any denomination of music, the impact of the future can not be denied. First, the thesis investigates Satie's compositional background to understand his learning experience and personality. Second, according to the four periods classified by The New Grove Dictionary of Music and Musicians, his music style from the first period to the third period will be discussed. Finally, the piano solo works "Sports et Divertissements" (1914) which belongs to the third period will be studied carefully. "Sports et Divertissements" combines diverse artistic elements such as music, pictures, and poems. A further research through studying the relation between music and pictures, the combination between music and poems, the association between music and visual elements, and Satie's unusual harmony will be explored.
author2 Pan-Ann Chen
author_facet Pan-Ann Chen
Te-Ming Hou
侯德明
author Te-Ming Hou
侯德明
spellingShingle Te-Ming Hou
侯德明
Satie Piano Pieces "Sports et Divertissements"
author_sort Te-Ming Hou
title Satie Piano Pieces "Sports et Divertissements"
title_short Satie Piano Pieces "Sports et Divertissements"
title_full Satie Piano Pieces "Sports et Divertissements"
title_fullStr Satie Piano Pieces "Sports et Divertissements"
title_full_unstemmed Satie Piano Pieces "Sports et Divertissements"
title_sort satie piano pieces "sports et divertissements"
publishDate 2001
url http://ndltd.ncl.edu.tw/handle/86356982581110620658
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AT hóudémíng sàtìgāngqínqūyùndòngyǔyúlètèshūchuàngzuòlǐniànzhītàntǎo
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