A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.

碩士 === 國立高雄師範大學 === 英語學系 === 90 === Abstract Maxine Hong Kingston’s three volumes, The Woman Warrior, China Men and Tripmaster Monkey, disclose the struggle of Chinese Americans and their inner conflict when they confront a Chinese and American binary culture. Kingston believes that by r...

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Main Authors: Lee Chia-fen, 李佳芬
Other Authors: Huang Hsin-ya
Format: Others
Language:en_US
Published: 2002
Online Access:http://ndltd.ncl.edu.tw/handle/96854467733527756622
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spelling ndltd-TW-090NKNU02400192015-10-13T10:23:00Z http://ndltd.ncl.edu.tw/handle/96854467733527756622 A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey. 追尋華美人的認同:湯亭亭作品《女戰士》、《金山勇士》、《猴行者》中文化位置的塑造 Lee Chia-fen 李佳芬 碩士 國立高雄師範大學 英語學系 90 Abstract Maxine Hong Kingston’s three volumes, The Woman Warrior, China Men and Tripmaster Monkey, disclose the struggle of Chinese Americans and their inner conflict when they confront a Chinese and American binary culture. Kingston believes that by retelling Father and Mother’s stories, Chinese Americans build their new cultural identity. This thesis consists of five chapters. Chapter One discusses Homi K. Bhabha''s assertions in Location of Culture as a theoretical framework for a cultural analysis of Kingston’s works. According to Bhabha, by articulating differences in the “Third Space” or the cultural “in-between,” the colonized Other produces its identity. This assertion can be applied to the readings of Kingston’s three volumes as, in her works, she strives to identify the differences in her cultural “in-between” and disclose a “Third Space” between her Americanness and Chinese-ness. Chapter Two explores how the narrator-protagonist translates Mother’s stories into her own in order to identify Chinese American “feminine differences” in The Woman Warrior. Chapter Three centers on the daughter’s writing a history which allows her Father to recover Chinese American “masculine differences” in China Men. The book argues for Chinese American rightful place in America, despite the fact that they are perpetually labeled as "foreigners."  Moreover, Chapter Four deals with Tripmaster Monkey, in which Chinese Americans make a new community and collective identity in American society after re-telling their parents’ histories. Chapter Five recapitulates the main ideas of this thesis and affirms Kingston''s achievement in claiming America and reconstructing Chinese American cultural identity. Huang Hsin-ya 黃心雅 2002 學位論文 ; thesis 97 en_US
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description 碩士 === 國立高雄師範大學 === 英語學系 === 90 === Abstract Maxine Hong Kingston’s three volumes, The Woman Warrior, China Men and Tripmaster Monkey, disclose the struggle of Chinese Americans and their inner conflict when they confront a Chinese and American binary culture. Kingston believes that by retelling Father and Mother’s stories, Chinese Americans build their new cultural identity. This thesis consists of five chapters. Chapter One discusses Homi K. Bhabha''s assertions in Location of Culture as a theoretical framework for a cultural analysis of Kingston’s works. According to Bhabha, by articulating differences in the “Third Space” or the cultural “in-between,” the colonized Other produces its identity. This assertion can be applied to the readings of Kingston’s three volumes as, in her works, she strives to identify the differences in her cultural “in-between” and disclose a “Third Space” between her Americanness and Chinese-ness. Chapter Two explores how the narrator-protagonist translates Mother’s stories into her own in order to identify Chinese American “feminine differences” in The Woman Warrior. Chapter Three centers on the daughter’s writing a history which allows her Father to recover Chinese American “masculine differences” in China Men. The book argues for Chinese American rightful place in America, despite the fact that they are perpetually labeled as "foreigners."  Moreover, Chapter Four deals with Tripmaster Monkey, in which Chinese Americans make a new community and collective identity in American society after re-telling their parents’ histories. Chapter Five recapitulates the main ideas of this thesis and affirms Kingston''s achievement in claiming America and reconstructing Chinese American cultural identity.
author2 Huang Hsin-ya
author_facet Huang Hsin-ya
Lee Chia-fen
李佳芬
author Lee Chia-fen
李佳芬
spellingShingle Lee Chia-fen
李佳芬
A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.
author_sort Lee Chia-fen
title A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.
title_short A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.
title_full A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.
title_fullStr A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.
title_full_unstemmed A Quest for Chinese American Identity: Creating the Location of Culture in Maxine Hong Kingston''s The Woman Warrior, China Men and Tripmaster Monkey.
title_sort quest for chinese american identity: creating the location of culture in maxine hong kingston''s the woman warrior, china men and tripmaster monkey.
publishDate 2002
url http://ndltd.ncl.edu.tw/handle/96854467733527756622
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