| Summary: | 碩士 === 中原大學 === 室內設計研究所 === 91 === The Cultural Heritage are the precious property that our ancestors left for us. The historical meaning and cultural context what they contained could provide us some clues to get the origin where we come from. By means of exhibition, the value behind the Cultural Heritage could be unveiled to the world, thus, promote the perception and understanding of the Cultural Heritage.
However, the interpretative ways of antique-exhibition , were suspected to cause the reduce of the authenticity of history and culture, and the trouble of the default of memories and experiences that caused from the displacement of time and space. In this research, with the examples of Qin’s terra-cotta warriors, trying to probe the different character and phenomenon that exhibition appeared, by taking the theories of “heterotopias” of M. Foucault and “carnival” of M. Bakhtin. Exhibition was presented as the process of “alienation”, the culture, antique and experiences of visit, under the persecution of power and consciousness, become dissociate and indefinite. The power and consciousness were the chief of crime that strengthened the different character and phenomenon, eventually let exhibition become a marginal heterotopias and set among the balance of reality and virtual image.
The antique departed from original context, its self-contradictory character, led the authenticity of history and culture to be replaced or misinterpreted, however, the storyline could re-interpret the context of culture and represent the authenticity of cultural context, and be know deeply. Although the representational atmosphere of rite and the popular festival strengthened the different character, but could help visitors to link the default of memories and experiences and the power of liberating desire, on the same time wrote the text by himself.
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