音樂的類比應用於視覺構成之創作與研究

• Main Author: 謝宇書
• Other Authors: 蘇茂生
• Format: Others
• Language: zh-TW
• Published: 2003
• Online Access: http://ndltd.ncl.edu.tw/handle/p5bdq7

碩士 === 國立臺灣師範大學 === 設計研究所 === 91 === In the nowadays several bit of times, all creations lie between the surface to return to the computer on 0 and 1, one kind of most basic combination Yuan element This causes various domains creation shape. Type extension more possible By between visual experience and sense of hearing experience.The mutual stimulation association, in which encompasses the intuition type and the logical equation pondered that, hoped for sends new visual experience. The research technique is carries on by three directions: 1. In research art history theory of the each correlation framing 2. Theory of the research music framing, by symphony framing and pop music framing primarily. 3. Creation the work, certainly does not require visual and the sense of hearing experience union in this phase. The work form includes the playbill, DM, the title page, in CD the page and the title page, in the room the space supposes counts with the music manufacture and the music videotape and so on. The most main target lies in sends the cave each related visual and sense of hearing creation form actual demand. By the above exploration result, uses in to create in the idea, and to music element conversion.For the visual spot, the line, the surface has given the definition, and lies between in the surface in the plane creation, has joined the time spool thread concept.