The symbols of the dream and God in One hundred years of solitude according to the theory of Carl Gustav Jung

• Main Authors: Yun-Chu Lai, 賴韻筑
• Other Authors: none
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/77186544438541011126

碩士 === 靜宜大學 === 西班牙語文學系研究所 === 92 === Columbian writer Gabriel García Márquez, who got the Nobel Prize in 1982, is a very important contemporary writer in the literary world in Spanish countries. There are a lot of abundant symbols that identify with the argument in his masterwork, One Hundred Years of Solitude (Cien años de soledad, 1967). In this dissertation, the theme focuses mainly on “dream” and “God” to analyze the symbolism. But, we try to use the theory symbolic of Carl Gustav Jung, the Swedish psychologist, to explore the symbolism of “dream” and “God”. In the chapter of “dream”, it is divided five topics: (a) dream of creation, (b) daydream, (c) dream of nostalgia, (d) dream of love, (f) dream of death. In part of “God”, it has five subjects: (a) image of God, (b) existence of God, (c) God and priest, (d) God in our heart, (f) God and saving. We hope that analyzing the symbolism of these two focuses can search and realize significance of content circumspectly. According to the saying of Jung, the vital spark of work can continue forever, but it needs us to appreciate and comprehend newly. Consequently, we desire that One Hundred Years of Solitude and the theory of Jung can spark each other in this dissertation. Also we desire that García Márquez and his novel both can show another appearance.