The Developments And the Influences of the Education in Peking Opera in Taiwan

碩士 === 東吳大學 === 音樂學系 === 92 === Abstract This thesis is a research about the developments and the influences of the education for Music of Peking Opera in Taiwan, through the studies of the historical data and the documents, which aim at cultivating the musicians performing on Peking Oper...

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Bibliographic Details
Main Authors: Wang, Hsueh-Yen, 王學彥
Other Authors: CHIANG, Yu-Ring
Format: Others
Language:zh-TW
Published: 2003
Online Access:http://ndltd.ncl.edu.tw/handle/77984402681225971860
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Summary:碩士 === 東吳大學 === 音樂學系 === 92 === Abstract This thesis is a research about the developments and the influences of the education for Music of Peking Opera in Taiwan, through the studies of the historical data and the documents, which aim at cultivating the musicians performing on Peking Opera stage at present, including the system of the education, the training periods, and the teaching methods. Because of few articles about the music of Peking Opera, lacking the studies of the education in Music of Peking Opera, the developments of performing on stage were usually focused on training the actors, less considering the importance of cultivating the musicians performing on Peking Opera stage. One of the main causes which Peking Opera has been getting on the decline in the main stream of Chinese performing arts during recent 20 years is unstressed on the cultivating of the musicians performing on Peking Opera stage. Hence, I studied the historical data and the documents, by means of visiting training teachers of Peking Opera, the musicians performing on Peking Opera stage, the actors and the actresses of Peking Opera, and the students from different training periods to explore and clarify the influences produced by various Peking Opera music education stages as well as the further developments in the future. The research makes conclusions below according to the results: 1. Music of Peking Opera education has direct influences on the development of Peking Opera. 2. It has the necessity of independent professional department to make further developments. 3. It’s an important reason for impeding the further developments of Peking Opera owing to a lack of the researchers and the critics. 4. It’s the current of time to promote the Peking Opera music education and mix the varieties of musical components to create new styles of the music performing on the stage. 5. It’s necessary to build a connective system of training the musicians performing on stage. 6. It’s the base to develop more Music of Peking Opera teacher in order to reserve and continue the Xiqu music.