The semiotic analysis of the wood carving in the traditional architecture —Subject on ancient architecture in Changhua city-
碩士 === 國立雲林科技大學 === 空間設計系碩士班 === 92 === The craving decoration of traditional architecture has gradually developed according to the history background, the material of building and the tool of the usage. In the Shang dynasty, it started having the appearance of the wood carving decorations, and the...
Main Authors: | Chih-jen Lee, 李志仁 |
---|---|
Other Authors: | Chao-hsi Ho |
Format: | Others |
Language: | zh-TW |
Published: |
2004
|
Online Access: | http://ndltd.ncl.edu.tw/handle/63583272189645029376 |
Similar Items
-
The application of Malay wood carving on contemporary architecture in Malaysia
by: Nila Inangda Manyam Keumala Daud, et al.
Published: (2012-12-01) -
The discontinued traditions of malay wood carvings in modern and post-modern architecture in Malaysia : a failure to develop the discourse on ornamentation in architectural works
by: Mohamad Rasdi, Mohamad Tajuddin
Published: (2006) -
The study of Architecture’s Relief Carving
by: Lai, Pei-Chun, et al.
Published: (2013) -
Carved Monge Surfaces as New Forms in the Architecture
by: Filipova Jevgenija, et al.
Published: (2017-01-01) -
Consumerism in Architecture with Emphasis on Popular Architecture Semiotics
by: Mandana Yousefi, et al.
Published: (2020-01-01)