“The reserch of rhythm aesthetic forms”applied in the drawing creation

• Main Authors: Liu Mi-Shan, 劉米山
• Other Authors: Lin Jung-Pin
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/44790052067000163943

碩士 === 長榮大學 === 視覺藝術學系碩士班 === 93 === “The research of rhythm aesthetic forms ” applied in the drawing creation All manifestations of nature in the vast universe originally contain the rhythm moving in endless cycles, where all things on earth live in. In order to probe the rhythm in moving endless cycles, by presenting the feelings of rhythm in painting creations, we examined and verified the idea again, which was put forward by Francis Bacon（1561-1626）, and it says：“The aesthetics of Active state more beautiful than that of static state, the aesthetics of appearance feelings more than that of the colors, the aesthetics of the appropriate elegant of the movements more than that of the appearance feelings”, for developing my own creative ideas and the orientations of the creation-practicing. It is our expectations as the artists . In variety expressions of the forms, the writer chooses the oil painting to show the research on rhythm aesthetics and the creation-practicing, and expects the result of the research, which accelerates the common people having an understanding of the drawing expressions in multiple forms. The creative research probe into the creative theory of rhythm aesthetic forms in the aspects of Chinese-western aesthetics, philosophy, and arts history in multi-views, and employed them in the drawing creations. During the studies, the writer constantly created, verified, and revised them, completed the studies of the stage, and I also discussed my own orientations in the creations. Generally, it contains the theoretical basis and creative ideas, creation-practicing and the interpretation of the works. The writer summarizes these views as followed： 1.（Chapter 1）Contain the writer’s motivation of the creative studies and the aims, illustrate the methods and the range of the studies, and explain the relative terms and the meanings of the “rhythm aesthetic forms”. 2.（Chapter 2）Investigate the relationships between the writer’s own creative ideas in the structures of the Chinese-western theories, and sum up the effective creative ideas in the range of the studies, extract the relative elements of the rhythm aesthetics for the creative-practicing in the future. 3.（Chapter 3）Elaborate my own practical idea to the stage of the studies, examine the relationships between the nature and the rhythm of the life, and create with the art intuition and the soul . 4.（Chapter 4）Interpret the dividing lines between the physiology and rhythm of the soul in the stage creation and the stages, collect the relative the theories and works of drawing schools and artists as the references for the interpretation of creation studies. 5. （Chapter 5）Summarize the four theories of the studies and creation-practicing, and give a brief account on the sequent study and the orientations to the creations. According to the contents of the five chapters, make a thorough investigation and study on “rhythm of physiology ”and “rhythm of the soul”with the relative theories to the rhythm aesthetics and creation-practicing. It contains the relations between the rhythm of nature and the life, and the category of the instant rhythm and the active aesthetic in detail. As to the terms used in the aspects of the souls are abstract. Because of the feelings and the terms change with people, so need reader to understand them with hearts by consulting the effects of creation-practicing presented by writer, in such do, readers can understand the writer’s interior meanings of the study, and know better about rhythm aesthetic forms.