A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example
碩士 === 中原大學 === 室內設計研究所 === 93 === The exhibit case is a typical presentation for artifacts in museum, which combines various items and their categories of exhibition to reveal different formality of exhibition. The purpose of exhibit cases ought provide connoisseur to enjoy the exhibition in muse...
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ndltd-TW-093CYCU52210152019-05-15T20:05:52Z http://ndltd.ncl.edu.tw/handle/g9r285 A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example 博物館展示形式的視覺滿意度研究-以文物展示櫃為例 James C. H. Chough 闕嘉鴻 碩士 中原大學 室內設計研究所 93 The exhibit case is a typical presentation for artifacts in museum, which combines various items and their categories of exhibition to reveal different formality of exhibition. The purpose of exhibit cases ought provide connoisseur to enjoy the exhibition in museums. Therefore, when the visitors stand in front of the exhibit cases, they should feel as comfortable as watching a movie, which also maintains a clear visibility. Obviously, the challenge is to provide visual perception satisfaction to the visitors in the complex formality of exhibition, based on different requirements of visual perception. Consequently, the experimental purposes include(1)to find out representational categories for different key artifacts,(2)propose for viewer's preferrence on exhibit cases, and(3)finding the preferred condition by visitors in various formality of exhibition. The experiment is divided into 3 stages. At first stage, we study the condition of exhibit cases in contemporary and set typical samples in various formality of the exhibition for the next step, that needs to search and collect various items and it’s categories of exhibition in museums. The following step would operate according to collected data from the previous stage, and by using the program “lightscape 3.2” to render and simulate the typical exhibit case in its reality. At last, these sample pictures are used to estimate that which exhibit case would be suitable for the exhibition, by way of visual estimation targets. Specifically, preference statistics is compiled by “PC- MDS:MDPREF” to set a framework of visual perception satisfaction for the formality of exhibition in museums. The findings are(1)the principally composed items of exhibit cases may be made up by “Lighting design” revealing esthetic sensibilities of artifacts, “background Color” improving visibility of artifacts, “background Material” providing texture contrast with artifacts, and “stature on display” providing easy vision on artifacts.(2)The attributions about the formality of exhibition in exhibit cases could be between “Attractive with Stimulative” and “Comfortable with worthily” by visitors preference in museums. In addition, “Attractive with Stimulative” might be preferred easier than “Comfortable with worthily” in exhibit cases by visitors’ visual perception.(3)Each item has its own principle advantage which influence the overall performance of the exhibition. A positive appreciation of exhibit case should be configured in properly, flexible and applicable setting. In other words, neither particular nor immutable formality of exhibition could bring satifaction and appreciation to the viewers invariably and perfectly. Chris C. Y. Chang 張謙允 2005 學位論文 ; thesis 229 zh-TW |
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碩士 === 中原大學 === 室內設計研究所 === 93 === The exhibit case is a typical presentation for artifacts in museum, which combines various items and their categories of exhibition to reveal different formality of exhibition. The purpose of exhibit cases ought provide connoisseur to enjoy the exhibition in museums. Therefore, when the visitors stand in front of the exhibit cases, they should feel as comfortable as watching a movie, which also maintains a clear visibility. Obviously, the challenge is to provide visual perception satisfaction to the visitors in the complex formality of exhibition, based on different requirements of visual perception. Consequently, the experimental purposes include(1)to find out representational categories for different key artifacts,(2)propose for viewer's preferrence on exhibit cases, and(3)finding the preferred condition by visitors in various formality of exhibition.
The experiment is divided into 3 stages. At first stage, we study the condition of exhibit cases in contemporary and set typical samples in various formality of the exhibition for the next step, that needs to search and collect various items and it’s categories of exhibition in museums. The following step would operate according to collected data from the previous stage, and by using the program “lightscape 3.2” to render and simulate the typical exhibit case in its reality. At last, these sample pictures are used to estimate that which exhibit case would be suitable for the exhibition, by way of visual estimation targets. Specifically, preference statistics is compiled by “PC- MDS:MDPREF” to set a framework of visual perception satisfaction for the formality of exhibition in museums.
The findings are(1)the principally composed items of exhibit cases may be made up by “Lighting design” revealing esthetic sensibilities of artifacts, “background Color” improving visibility of artifacts, “background Material” providing texture contrast with artifacts, and “stature on display” providing easy vision on artifacts.(2)The attributions about the formality of exhibition in exhibit cases could be between “Attractive with Stimulative” and “Comfortable with worthily” by visitors preference in museums. In addition, “Attractive with Stimulative” might be preferred easier than “Comfortable with worthily” in exhibit cases by visitors’ visual perception.(3)Each item has its own principle advantage which influence the overall performance of the exhibition. A positive appreciation of exhibit case should be configured in properly, flexible and applicable setting. In other words, neither particular nor immutable formality of exhibition could bring satifaction and appreciation to the viewers invariably and perfectly.
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author2 |
Chris C. Y. Chang |
author_facet |
Chris C. Y. Chang James C. H. Chough 闕嘉鴻 |
author |
James C. H. Chough 闕嘉鴻 |
spellingShingle |
James C. H. Chough 闕嘉鴻 A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example |
author_sort |
James C. H. Chough |
title |
A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example |
title_short |
A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example |
title_full |
A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example |
title_fullStr |
A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example |
title_full_unstemmed |
A Study of Visual Perception Satisfaction for the Formality of Exhibition in Museums-Tacking Exhibit Cases of Artifacts as an Example |
title_sort |
study of visual perception satisfaction for the formality of exhibition in museums-tacking exhibit cases of artifacts as an example |
publishDate |
2005 |
url |
http://ndltd.ncl.edu.tw/handle/g9r285 |
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