To Criticize the Beginning of Modernity on Chinese Drama Commentaries: An Observation of China Mainland, Taiwan, Singapore and Malaysia

碩士 === 佛光人文社會學院 === 文學研究所 === 93 === It thinks a single interpretation of the hegemony of the culture of China to be dissatisfied, it is based on the interest of the research of "Play" related to all the arts of the complaint of the pair, and chooses the region of "Chinese Drama"...

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Bibliographic Details
Main Authors: Chou Huang-Hua, 周煌華
Other Authors: Yeo Song-Nian
Format: Others
Language:zh-TW
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/98554936210597509857
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Summary:碩士 === 佛光人文社會學院 === 文學研究所 === 93 === It thinks a single interpretation of the hegemony of the culture of China to be dissatisfied, it is based on the interest of the research of "Play" related to all the arts of the complaint of the pair, and chooses the region of "Chinese Drama"(including Chinese Opera) of vocabularies such as correct at the same time "Contemporary Literature"(現代文學) and "Chinese Drama"(話劇) at random. Additionally, the period of “May Fourth Movement”(五四運動), they pay close attention to Chinese drama criticism and controversy about “new Chinese drama” and “old Chinese drama”. That is the reason why this topic of thesis is research the development of these commentaries about Chinese drama. From 1980’s, a literary of " Modernity " agenda shifted to a modern, modern process it is already, nearing, becoming one of the focuses with the concern of the research of the contemporary literature now, and requesting the present age of literature and play. The process of modern times to contemporary era, even nearing, the themes of discussion as “No late Ching Dynasty, no May Fourth Movement.” and “No modern, no contemporary.” And when is the beginning of commentary of Chinese drama? This subject becomes central point on this thesis. After study the area of "Studies on the World Chinese literature" comes in contact, the consideration of Chinese literature of the district is opened soon, and the district in Malaysia and Singapore, and it bases on to Taiwan of course especially, and, in addition, there is consideration on one feeling about the development of the play in Taiwan it. After combine the data of drama criticism where from China mainland, Taiwan, Singapore and Malaysia. Finding out the effect and spread on literature and drama is huge from this data. Like each country have the same issue as improvement of “Chinese Opera”(戲曲) and “Chinese drama”(戲劇), others as controversy of new and old Chinese drama, research of the drama esthetics have several information. By the way, those data shows different countries have different point on criticize of modernity on Chinese drama commentaries. When arranged the articles about Chinese drama commentaries, except for combined, consulted, researched, researcher want to set a more different view on those analysis. Also can find out the beginning of modernity on Chinese drama commentaries, and provide the dissimilar view on it, then build the whole viewpoint of Chinese drama.