The study of the social concept behind Tyzen Hsiao’s《1947 Overture》

• Main Authors: Wan-Chi Chang, 張婉琪
• Other Authors: Wan-Long Hong
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/25452099824802030130

碩士 === 國立成功大學 === 藝術研究所 === 93 === 　Due to the awareness of localization in Taiwan, Taiwanese begin retrieving their own property from the ocean of the culture. Tyzen Hsiao, one of the pioneers of this tide. By combining the romantic classics from the Western and Taiwanese folks, he created a unique style. Once of his works, Orchestra 《1947 Overture》, describes the helplessness toward the colonial ruling in Taiwan, especially the Feb. 28 Incident in 1947. Two Choral Works of Orchestra 《1947 Overture》,〈Love and Hope〉and 〈Taiwan the Green〉 proved that Music brings not only for enjoyment but also the introspect of political, society, and culture by transforming poems of social criticism and pragmatism into lyrics.The concepts and skill of Tyzen Hsiao’s works will be mentioned later and the topics below will be illustrated also. 1.How Tyzen Hsiao rebuilt the historical dimness and tragedy on the stage. 2.How Tyzen Hsiao implements the atmosphere of that era through his music. 3.Review the Social Concepts behind Taiwanese Awareness and Patriotism. 4.The effects of Tyzen Hsiao’s works, culturally and socially.