| Summary: | 碩士 === 南華大學 === 傳播管理學研究所 === 93 === This study takes the meta-characteristics of “All People Blab at 2100” as the key point of analysis and tries to find out the relation between television genre, meta-text and television economy.
This study uses narrative analysis to analyze the meaning of the images and semantics deeply hidden in the program text. The result finds out that “All People Blab at 2100” not only collapses the diegetic world that most traditional texts sustain, but also make a self-examination about the meaning of television text. Even more, we can see a game of “difference” in the show’s phonetic construction that characterizes the deconstruction of meaning. Meanwhile, this study claims that the characteristics of meta-television text should be understood as a product under the operational logic of the institute of television economy. To sum up, “All People Blab at 2100” is a product of meta-culture, it is also a product of pop culture commodities under the system of television economy. These two complicated systems can be perceived under the concept of genre, in terms of its institutional implication.
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