聯想與對照-林文苑水墨創作探討

碩士 === 國立臺灣師範大學 === 美術學系 === 93 === The research is mainly based on five set of creative works, “Road: Grass Trails and One Way Pass,” “Complicated and Interwoven: MRT Car and Crowded Woods,” “Complied: MRT Station and the Valley,” “Penetration: Valley and Alley,” and “Waiting: Bushes and People,” i...

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Main Author: 林文苑
Other Authors: 李振明
Format: Others
Language:zh-TW
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/30140428491182145041
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spelling ndltd-TW-093NTNU52330182016-06-03T04:13:42Z http://ndltd.ncl.edu.tw/handle/30140428491182145041 聯想與對照-林文苑水墨創作探討 林文苑 碩士 國立臺灣師範大學 美術學系 93 The research is mainly based on five set of creative works, “Road: Grass Trails and One Way Pass,” “Complicated and Interwoven: MRT Car and Crowded Woods,” “Complied: MRT Station and the Valley,” “Penetration: Valley and Alley,” and “Waiting: Bushes and People,” in my ink and color painting exhibition of graduation. Focusing on its creative ideas and expressive styles by literary words, the study will not open another researching topic or one in art history linked to other works. Chapter One is the explanation of motivation and inspiration sources. First, I will state the creation is from daily feelings as a whole and by personal experiences to recall the distinguish differences and coexistence between cities and mountains. Combined with both scenes from mountains and cities, I intend to show the features of mountains inside Taiwan and the outer cities. In Chapter Two, I will explain why I choose those methods of display. Combined and analyzed with my own ideas toward scene-snapping and categorized by memories of skipping, non-successive and multi-perspective modern life, contrast and associative thinking are produced. Chapter Three is about the form of works. By introducing ancient people’s idea to present a set of paintings of a certain concept, I would like to experiment the set format to show my own observations and reflections upon mountains and cities. Further, I try to blend these two different scenes in painting frame and produce multi-visual designs. Chapter Four is the further explanation and analysis of each set of paintings individually. Here I’m trying to show more creative sources and ideas inside as possible. And in Chapter Five I will conclude in short. This study is piled up with many artistic thinking and knowledge and hopefully could express clearly and appropriately the perspective of these creations. 李振明 2005 學位論文 ; thesis 68 zh-TW
collection NDLTD
language zh-TW
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sources NDLTD
description 碩士 === 國立臺灣師範大學 === 美術學系 === 93 === The research is mainly based on five set of creative works, “Road: Grass Trails and One Way Pass,” “Complicated and Interwoven: MRT Car and Crowded Woods,” “Complied: MRT Station and the Valley,” “Penetration: Valley and Alley,” and “Waiting: Bushes and People,” in my ink and color painting exhibition of graduation. Focusing on its creative ideas and expressive styles by literary words, the study will not open another researching topic or one in art history linked to other works. Chapter One is the explanation of motivation and inspiration sources. First, I will state the creation is from daily feelings as a whole and by personal experiences to recall the distinguish differences and coexistence between cities and mountains. Combined with both scenes from mountains and cities, I intend to show the features of mountains inside Taiwan and the outer cities. In Chapter Two, I will explain why I choose those methods of display. Combined and analyzed with my own ideas toward scene-snapping and categorized by memories of skipping, non-successive and multi-perspective modern life, contrast and associative thinking are produced. Chapter Three is about the form of works. By introducing ancient people’s idea to present a set of paintings of a certain concept, I would like to experiment the set format to show my own observations and reflections upon mountains and cities. Further, I try to blend these two different scenes in painting frame and produce multi-visual designs. Chapter Four is the further explanation and analysis of each set of paintings individually. Here I’m trying to show more creative sources and ideas inside as possible. And in Chapter Five I will conclude in short. This study is piled up with many artistic thinking and knowledge and hopefully could express clearly and appropriately the perspective of these creations.
author2 李振明
author_facet 李振明
林文苑
author 林文苑
spellingShingle 林文苑
聯想與對照-林文苑水墨創作探討
author_sort 林文苑
title 聯想與對照-林文苑水墨創作探討
title_short 聯想與對照-林文苑水墨創作探討
title_full 聯想與對照-林文苑水墨創作探討
title_fullStr 聯想與對照-林文苑水墨創作探討
title_full_unstemmed 聯想與對照-林文苑水墨創作探討
title_sort 聯想與對照-林文苑水墨創作探討
publishDate 2005
url http://ndltd.ncl.edu.tw/handle/30140428491182145041
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