A Study of Fantastic Stories by Chia-Hua Zhang(1991-2000)

• Main Authors: Fang-Tzu Chou, 周芳姿
• Other Authors: 林文寶
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/40009061089575757907

碩士 === 國立臺東大學 === 兒童文學研究所 === 93 === 　　Concerning the Taiwan fairy tale writer in the time of 1990s, Zhang Chia Hua was a representative character who’s indispensable. He also rose to multicultural value affirmation in the time of 1990s This paper mentioned the background of Zhang Chia for discussion. 　　It states him the lucky chance with the children literature, seeks the source or origin its creation spirit, summarizes its literature to advocate, and carries on the reorganization to its fairy tale works. The author, thus, adopted a literature discussion law to discuss its characteristics. There are three aspects discussed in this paper, including language, image, and Significance. 　　In the aspect of language, it mainly presents in “the rhyme”, “the harmonics”, “the sound of imitation” as well as “righteousness element substitution”, “the words and expressions”, “the excretion glossary” .Let the content and creation be charming and stylish. 　　In the aspect of the image, it appears in “the space and time”, “the contrast”, “the exaggeration” three levels. The exaggeration and contrast constructs the third dimension. Even, he changes the space and time and forms the fourth dimension. It really stimulates readers sympathetically. 　　In the aspect of Significance, he not only experiences “the Purification and Redeem”, “the Criticism, Overturn, and Petition” “Ideal World of the Reconstruction” three thought courses but also responds social background from 1980s to 1990s. He finally became a best writer of creation of modern fairy tale and made the milestone. 　　In the whole part, the fairy tales of Zhang Chia Hua displays “the language game, humorous jokes” ,“wonderful imagination, infinite creativity” and “catching the childlike innocence”. He is three characteristics. He is not only “the without restraint of style innovation”, but also “a warm idealist”.