人物•情•花園:從「才子佳人」到《紅樓夢》

碩士 === 國立臺灣大學 === 中國文學研究所 === 93 === Having traverse the long passage of time, stories centering the theme of Scholar-Beauty Romance became a unique genre during the Ming and Qing Dynasties. On the one hand, Scholar-Beauty Romance fiction took after plays of the same kind (represented by The Peony P...

Full description

Bibliographic Details
Main Authors: Yeok-Wee Phua, 潘玉薇
Other Authors: 郭玉雯
Format: Others
Language:zh-TW
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/34382616878083989547
id ndltd-TW-093NTU05045014
record_format oai_dc
spelling ndltd-TW-093NTU050450142015-12-21T04:04:16Z http://ndltd.ncl.edu.tw/handle/34382616878083989547 人物•情•花園:從「才子佳人」到《紅樓夢》 Yeok-Wee Phua 潘玉薇 碩士 國立臺灣大學 中國文學研究所 93 Having traverse the long passage of time, stories centering the theme of Scholar-Beauty Romance became a unique genre during the Ming and Qing Dynasties. On the one hand, Scholar-Beauty Romance fiction took after plays of the same kind (represented by The Peony Pavilion) belonging to the late Ming Dynasty, while on the other, led to the creation of The Dream of The Red Mansion, where the Scholar-Beauty Romance structure formed part of the novel’s overall framework. Scholar-Beauty Romance stories became a huge literature type. This dissertation base its research on the texts of The Peony Pavilion, Scholar-Beauty Romance fiction of the late Ming to early Qing era and The Dream of the Red Mansion. Through analyses and comparisions of works, it attempts to discuss the development of the Scholar-Beauty Romance story type and look at the inheritance and transformation path of Scholar-Beauty Romance stories, as well as their introspection and significance, via the manifestations of key literature themes i.e. image of character, “qing”(feeling) and “garden” etc. The first chapter is the introduction which explains the writing motive and goal. The second chapter discusses the image transformation of “Scholar” and “Beauty”from Scholar-Beauty Romance stories to The Dream of The Red Mansion. The third chapter attempts to layout and organize the notion of “qing”(feeling) from the late Ming era to The Dream of The Red Mansion as well as inquire into the dialogue and reflection of various concepts demostrated in the works e.g. “Feeling” versus “Desire”, “Reason”, “Talent” and “Emptiness” etc. “Garden” had been used on a massive scale in Scholar-Beauty Romance stories. By analyzing this trait, the fourth chapter probes the functions of garden in these works and the shift of its position in love. This aids the understanding of the importance of this special spatial establishment in Scholar-Beauty Romance genre. Fifth chapter is the conclusion. 郭玉雯 2005 學位論文 ; thesis 147 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣大學 === 中國文學研究所 === 93 === Having traverse the long passage of time, stories centering the theme of Scholar-Beauty Romance became a unique genre during the Ming and Qing Dynasties. On the one hand, Scholar-Beauty Romance fiction took after plays of the same kind (represented by The Peony Pavilion) belonging to the late Ming Dynasty, while on the other, led to the creation of The Dream of The Red Mansion, where the Scholar-Beauty Romance structure formed part of the novel’s overall framework. Scholar-Beauty Romance stories became a huge literature type. This dissertation base its research on the texts of The Peony Pavilion, Scholar-Beauty Romance fiction of the late Ming to early Qing era and The Dream of the Red Mansion. Through analyses and comparisions of works, it attempts to discuss the development of the Scholar-Beauty Romance story type and look at the inheritance and transformation path of Scholar-Beauty Romance stories, as well as their introspection and significance, via the manifestations of key literature themes i.e. image of character, “qing”(feeling) and “garden” etc. The first chapter is the introduction which explains the writing motive and goal. The second chapter discusses the image transformation of “Scholar” and “Beauty”from Scholar-Beauty Romance stories to The Dream of The Red Mansion. The third chapter attempts to layout and organize the notion of “qing”(feeling) from the late Ming era to The Dream of The Red Mansion as well as inquire into the dialogue and reflection of various concepts demostrated in the works e.g. “Feeling” versus “Desire”, “Reason”, “Talent” and “Emptiness” etc. “Garden” had been used on a massive scale in Scholar-Beauty Romance stories. By analyzing this trait, the fourth chapter probes the functions of garden in these works and the shift of its position in love. This aids the understanding of the importance of this special spatial establishment in Scholar-Beauty Romance genre. Fifth chapter is the conclusion.
author2 郭玉雯
author_facet 郭玉雯
Yeok-Wee Phua
潘玉薇
author Yeok-Wee Phua
潘玉薇
spellingShingle Yeok-Wee Phua
潘玉薇
人物•情•花園:從「才子佳人」到《紅樓夢》
author_sort Yeok-Wee Phua
title 人物•情•花園:從「才子佳人」到《紅樓夢》
title_short 人物•情•花園:從「才子佳人」到《紅樓夢》
title_full 人物•情•花園:從「才子佳人」到《紅樓夢》
title_fullStr 人物•情•花園:從「才子佳人」到《紅樓夢》
title_full_unstemmed 人物•情•花園:從「才子佳人」到《紅樓夢》
title_sort 人物•情•花園:從「才子佳人」到《紅樓夢》
publishDate 2005
url http://ndltd.ncl.edu.tw/handle/34382616878083989547
work_keys_str_mv AT yeokweephua rénwùqínghuāyuáncóngcáizijiāréndàohónglóumèng
AT pānyùwēi rénwùqínghuāyuáncóngcáizijiāréndàohónglóumèng
_version_ 1718154276319002624