Huashan Transition： Art Space as a Presentation of Culture Industry

• Main Authors: Ping-Tzu Chen, 陳品孜
• Other Authors: Chun-Ju Li
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/31628986812121771766

碩士 === 靜宜大學 === 觀光事業學系研究所 === 93 === The study relies heavily on the space analysis theory of Henri Lefebvre and culture industry as its main framework, discussing the transition space of Huashan throughout from the Art District into Cultural and Creative Industries. The issue expanded development to focuses on art space, creativity, body experience, and the question of the ideology of its dominated role. The major target is to find out the creative meaning under the suppression system. In keep with the tide of culture industry, “representation of space” not only reflects the function of space being effected by the capital logic of production marketing, but also manifests the thinking in which the art system could be accomplished by the consuming entertainment. The result leaves the space a situation of commercialization, kitsch, and bureaucratization, and art space is turning herself to embrace the public. Rather, the creativity and autonomy of art is also forced to face the crucial crisis. However, it probably refers both the compromised and resistant process under the strong power. “Representational space” reverses the unbalance of relationship, reawakes subversional potential, and with its possibility overcome the commercialized and dissimulation crisis to renew the meaning of realization and identity.