Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing

碩士 === 淡江大學 === 英文學系碩士班 === 93 === Through an ecofeminist reading, this thesis attempts to examine the themes of sexism, naturism, and hierarchical dualism underlying the Western conceptual framework in Margaret Atwood’s Surfacing (1972). Being a Canadian woman writer, Atwood presents not only the...

Full description

Bibliographic Details
Main Authors: Hsin-Fan Chen, 陳信帆
Other Authors: I-Min Huang
Format: Others
Language:en_US
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/95682614239363881411
id ndltd-TW-093TKU05154006
record_format oai_dc
spelling ndltd-TW-093TKU051540062015-10-13T11:57:25Z http://ndltd.ncl.edu.tw/handle/95682614239363881411 Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing 瑪格麗特•艾特伍德《浮生錄》中的性別認同、生態意識與生態女性的精神性 Hsin-Fan Chen 陳信帆 碩士 淡江大學 英文學系碩士班 93 Through an ecofeminist reading, this thesis attempts to examine the themes of sexism, naturism, and hierarchical dualism underlying the Western conceptual framework in Margaret Atwood’s Surfacing (1972). Being a Canadian woman writer, Atwood presents not only the oppressions of women and nature but also their link to an oppressive dualistic thinking. To dismantle such conceptual system of dichotomies, Atwood portrays the narrator’s spiritual journey to offer a new identification among women-men and human-nature relations. To aim at this purpose, I will divide my thesis into five chapters. The first chapter begins with an overview of the author, text, and context of this novel. To define this novel as an ecofeminist literary work, I first delineate the main ecofeminist theories, and then explore the textual interaction to ecofeminism. Chapter Two will focus on the patriarchal language and the objectification of women and animals. From an ecofeminist perspective, I will interpret how patriarchal consciousness in the novel conceptually disparages the ontological meanings of women and animals. The third chapter mainly discusses how the narrator overturns the mind-body dichotomy and perceives American-Canadian and American-machine comparisons from a boundary-blurring concept. Chapter Four and Five concentrate on how the narrator’s spiritual transformation corresponds to ecological consciousness and ecofeminist spirituality. Crossing the binary oppositions and getting along with nature, the narrator is no longer a victim; instead, she accepts the unfortunate past through the healing process of encountering nature, realizes nature-human interrelatedness and the cycle of life force, and finally returns to the city with a new identity. I-Min Huang 黃逸民 2005 學位論文 ; thesis 96 en_US
collection NDLTD
language en_US
format Others
sources NDLTD
description 碩士 === 淡江大學 === 英文學系碩士班 === 93 === Through an ecofeminist reading, this thesis attempts to examine the themes of sexism, naturism, and hierarchical dualism underlying the Western conceptual framework in Margaret Atwood’s Surfacing (1972). Being a Canadian woman writer, Atwood presents not only the oppressions of women and nature but also their link to an oppressive dualistic thinking. To dismantle such conceptual system of dichotomies, Atwood portrays the narrator’s spiritual journey to offer a new identification among women-men and human-nature relations. To aim at this purpose, I will divide my thesis into five chapters. The first chapter begins with an overview of the author, text, and context of this novel. To define this novel as an ecofeminist literary work, I first delineate the main ecofeminist theories, and then explore the textual interaction to ecofeminism. Chapter Two will focus on the patriarchal language and the objectification of women and animals. From an ecofeminist perspective, I will interpret how patriarchal consciousness in the novel conceptually disparages the ontological meanings of women and animals. The third chapter mainly discusses how the narrator overturns the mind-body dichotomy and perceives American-Canadian and American-machine comparisons from a boundary-blurring concept. Chapter Four and Five concentrate on how the narrator’s spiritual transformation corresponds to ecological consciousness and ecofeminist spirituality. Crossing the binary oppositions and getting along with nature, the narrator is no longer a victim; instead, she accepts the unfortunate past through the healing process of encountering nature, realizes nature-human interrelatedness and the cycle of life force, and finally returns to the city with a new identity.
author2 I-Min Huang
author_facet I-Min Huang
Hsin-Fan Chen
陳信帆
author Hsin-Fan Chen
陳信帆
spellingShingle Hsin-Fan Chen
陳信帆
Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing
author_sort Hsin-Fan Chen
title Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing
title_short Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing
title_full Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing
title_fullStr Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing
title_full_unstemmed Gender Identity, Ecological Consciousness, and Ecofeminist Spirituality in Margaret Atwood''s Surfacing
title_sort gender identity, ecological consciousness, and ecofeminist spirituality in margaret atwood''s surfacing
publishDate 2005
url http://ndltd.ncl.edu.tw/handle/95682614239363881411
work_keys_str_mv AT hsinfanchen genderidentityecologicalconsciousnessandecofeministspiritualityinmargaretatwoodssurfacing
AT chénxìnfān genderidentityecologicalconsciousnessandecofeministspiritualityinmargaretatwoodssurfacing
AT hsinfanchen mǎgélìtèàitèwǔdéfúshēnglùzhōngdexìngbiérèntóngshēngtàiyìshíyǔshēngtàinǚxìngdejīngshénxìng
AT chénxìnfān mǎgélìtèàitèwǔdéfúshēnglùzhōngdexìngbiérèntóngshēngtàiyìshíyǔshēngtàinǚxìngdejīngshénxìng
_version_ 1716851171776266240