A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama
碩士 === 華梵大學 === 東方人文思想研究所 === 95 === Abstract The play Guanyin’s Ascetic Days in Xiangshan in Ming legend-drama is a Buddhist drama about Princess MiaoShan, a legendary figure in Buddhism. The play is based on Jiang ZhiQi’s The Legend of Guanyin’s Enlightenment, later written down by Cai Jing and s...
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ndltd-TW-094HCHT01890182016-06-01T04:21:09Z http://ndltd.ncl.edu.tw/handle/04109109556561507800 A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama 明代佛教戲曲《觀世音香山修行記》傳奇--劇本主題意涵之分析研究 Chiu-kuei Lee 李秋瑰 碩士 華梵大學 東方人文思想研究所 95 Abstract The play Guanyin’s Ascetic Days in Xiangshan in Ming legend-drama is a Buddhist drama about Princess MiaoShan, a legendary figure in Buddhism. The play is based on Jiang ZhiQi’s The Legend of Guanyin’s Enlightenment, later written down by Cai Jing and scripted on a stone monument that nowadays still stands in Guanyin Stupa, Xiangshan Temple, Baofeng County, Henan Province, China. The work covers the evolution of Guanyin’s legend: from the Dharmakaya of Bodhisattva of Compassion, to the reincarnated princess, MiaoShan, and later, to the formation of the thousand-handed & thousand-eyed Bodhisattva in Esoteric Buddhism. In the script of Guanyin’s Ascetic Days in Xiangshan, the main themes of Guanyin’s ascetic practice are mainly Mahayana teachings. Yet, a complete version of the “Universal Gateway Section”, Saddharmapundarika Sutra (the Dharma-flower sutra), was kept in this Ming legend-drama for ritual reference. It implies that the vertical practice of Esoteric Buddhism is still based on the theories of Exoteric Buddhism. With both schools complement each other, a complete system of vertical practice, “Root, Path, Fruit” is thus formed. As a result, the present research starts with the background when the “Universal Gateway Section”, Saddharmapundarika Sutra (the Dharma-flower sutra) was translated into Chinese. Thus, Sutras about Guanyin and about the thousand-handed & thousand-eyed Bodhisattva that are translated in Tang Dynasty are analyzed in this study. The most important research material in this thesis is The Legend of Guanyin’s Enlightenment: The Legend of Princess MiaoShan, written by Jiang ZhiQi in Song Dynasty. The teachings of both Exoteric and Esoteric Buddhism are also under careful examination to conduct a more thorough study. Kwong-yin Ho 何廣棪 2006 學位論文 ; thesis 0 zh-TW |
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碩士 === 華梵大學 === 東方人文思想研究所 === 95 === Abstract
The play Guanyin’s Ascetic Days in Xiangshan in Ming legend-drama is a Buddhist drama about Princess MiaoShan, a legendary figure in Buddhism. The play is based on Jiang ZhiQi’s The Legend of Guanyin’s Enlightenment, later written down by Cai Jing and scripted on a stone monument that nowadays still stands in Guanyin Stupa, Xiangshan Temple, Baofeng County, Henan Province, China.
The work covers the evolution of Guanyin’s legend: from the Dharmakaya of Bodhisattva of Compassion, to the reincarnated princess, MiaoShan, and later, to the formation of the thousand-handed & thousand-eyed Bodhisattva in Esoteric Buddhism. In the script of Guanyin’s Ascetic Days in Xiangshan, the main themes of Guanyin’s ascetic practice are mainly Mahayana teachings. Yet, a complete version of the “Universal Gateway Section”, Saddharmapundarika Sutra (the Dharma-flower sutra), was kept in this Ming legend-drama for ritual reference. It implies that the vertical practice of Esoteric Buddhism is still based on the theories of Exoteric Buddhism. With both schools complement each other, a complete system of vertical practice, “Root, Path, Fruit” is thus formed.
As a result, the present research starts with the background when the “Universal Gateway Section”, Saddharmapundarika Sutra (the Dharma-flower sutra) was translated into Chinese. Thus, Sutras about Guanyin and about the thousand-handed & thousand-eyed Bodhisattva that are translated in Tang Dynasty are analyzed in this study. The most important research material in this thesis is The Legend of Guanyin’s Enlightenment: The Legend of Princess MiaoShan, written by Jiang ZhiQi in Song Dynasty. The teachings of both Exoteric and Esoteric Buddhism are also under careful examination to conduct a more thorough study.
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author2 |
Kwong-yin Ho |
author_facet |
Kwong-yin Ho Chiu-kuei Lee 李秋瑰 |
author |
Chiu-kuei Lee 李秋瑰 |
spellingShingle |
Chiu-kuei Lee 李秋瑰 A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama |
author_sort |
Chiu-kuei Lee |
title |
A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama |
title_short |
A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama |
title_full |
A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama |
title_fullStr |
A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama |
title_full_unstemmed |
A Buddhist Drama: The Study of "Guanyin’s Ascetic Days in Xiangshan" in Ming Legend Drama |
title_sort |
buddhist drama: the study of "guanyin’s ascetic days in xiangshan" in ming legend drama |
publishDate |
2006 |
url |
http://ndltd.ncl.edu.tw/handle/04109109556561507800 |
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