| Summary: | 碩士 === 國立交通大學 === 應用藝術研究所 === 94 === Abstract
The essay is an artistic phasis developed along personal experiences as an user, spectator among media, technology and cultural transition phenomenon since 2002. Concerning the theatrical form and history, it states from Stanislavski’s(1863-1938) “physical action” with assigning both to “logical consideration” of “seeing” in General introduction to pure phenomenology by Edmund Husserl(1859-1938), and the “non-conceptual contents” within human perception experience structure by Christopher Peacocke(1950-), this essay reinterprets a structural relation between actor and spectator and an idea on “watching the show” in Stanislavski system. In conclusion, “‘Actor’ is the ‘truth experience’ of ‘character’”, while ‘truth experience’ promises generalization and similarity for spectator.
Furthermore, the essay applies such comparison to the hit phenomenon-- “Reality TV/Factual TV” since the late 90’s, and maps such specification to its synonym in Taiwanese popular culture-- “Syu, Chun Mei Phenomenon”. The comparative inference from chapter 2 to 3 grounds artistic concept along with the monologue stage performance entitled as “Theater of Nymphomaniac” in later chapter. In conclusion, it argues a possible method on application of “epanodos” symbiosis between theatrical actor and spectator in certain aesthetic concerns.
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