A Research of Liang DingMing's Western Painting in the Period of MainLand China.

碩士 === 國立中央大學 === 藝術學研究所 === 94 === Liang Dingming (1898-1959 ) joined the army during China's Northern Expedition, and was well-known for war painting. Liang’s ancestral home is in Guangdong , however, he was born in Shanghai. His western painting was nourished in Shanghai where of the atmosph...

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Bibliographic Details
Main Authors: Pei-Pei Chen, 陳佩佩
Other Authors: Fang-Mei Chou
Format: Others
Language:zh-TW
Published: 2006
Online Access:http://ndltd.ncl.edu.tw/handle/339236
Description
Summary:碩士 === 國立中央大學 === 藝術學研究所 === 94 === Liang Dingming (1898-1959 ) joined the army during China's Northern Expedition, and was well-known for war painting. Liang’s ancestral home is in Guangdong , however, he was born in Shanghai. His western painting was nourished in Shanghai where of the atmosphere great prosperity of the western painting at the early 20th century , and was launched in the army. This thesis collects Liang’s calendar advertising pictures(Yue Fen Pai)and distributes his lost early western painting works partly, also the historical datas such as he presided over “ Tian Hua Yi Shu Hui ” once , to review the initiation and achievement of Liang’s western painting in the period of MainLand China. The western painting of the various type of painting from portraiture , calendar advertising pictures , sketching from life , propagata cartoon and war painting etc. were created , proves that Liang Dingming's artistic development was closely related to era. It happened that Liang strode into the field of politics, and had an opportunity to draw the war paintings. Liang Dingming's war painting was decorated with the practicability propagated, meanwhile , kept the independence with his personal aesthetics too. Reaches the dense integral intergrowth relation with politics during special times in Liang Dingming's painting , howerver , to the insistance of the personal artistic idea on the basis of the painter, Liang Dingming's essence relation between art and politics is estranged. Nowadays, the western painting work Xiue Ren Tu that Liang Dingming handed down to posterity is not perfect, but he incorporated the political atmospheres of the times, and adhered to the personal artistic ideal, proves that he was still once paid attention to by the Kuomindang at time when China's western painting sprouted , and had made the large-scale war paintings which other artists had not tried at that time to draw. So, while reducing the overall picture of the western painting circle of the early 20th century China, Liang Dingming is still a painter that can't be absent.