Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting
碩士 === 國立嘉義大學 === 視覺藝術研究所 === 94 === “All God’s self-complacent creations are originated from contemplation”. In the internalized process, from observation on natural plant image in lives to transformation of abstract gyration image, the natural forms display sincerely affecting on natural lives wit...
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ndltd-TW-094NCYU56160112015-10-13T16:31:55Z http://ndltd.ncl.edu.tw/handle/25232326906482479462 Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting 渦狀符號與植物圖像-李思葶版畫創作論述 Lee, Szu-Ting 李思葶 碩士 國立嘉義大學 視覺藝術研究所 94 “All God’s self-complacent creations are originated from contemplation”. In the internalized process, from observation on natural plant image in lives to transformation of abstract gyration image, the natural forms display sincerely affecting on natural lives with a creative form of silk printing and patching. Through the exploration of various levels, we may comprehend the formation of individual creative conception and the evolution of technical styles in an attempt to reciprocally blend the philosophy with aesthetic viewpoint and living level. Purpose of this explanation has three points respectively as 1). By means of artistic creation and performing style to explore the self-life emotion and to manifest connotation of image symbol, and , 2). In an attempt to patch and combine the gyrate symbol with the print-making, so as to create a series of works to convey the continuous reproduction of the life while, 3) Praising the beauty of nature and life in the image symbol, and hoping to perform an atmosphere of the plant image (such as seasonal circulation) by artistic creation. This creative work is trying to take beauty of the natural things as a foundation and make an emblematic “Metaphor” to inspire the conceptual association and the creative performance. The main frame of this explanation is comprised of three sections; the reference exploration of the creative theme, the creative form and technique, and the work analysis and intension interpretation. The scope of this explanation was based on the series works extended from “Gyrate symbol and plant image in the duration of 2004 to 2006, in which the incessant circulation of natural life was performed through the creative practice auxiliary with theoretic analysis, from plant nature observation and gyrate symbol to the build-up seasonal atmosphere. Proceed along such a contextual idea to explore the fountainhead of self-creation, looking forward to accomplishing the self-comprehension and growth, and by means of the perception of oriental philosophy thinking to obtain the conceptual enhancement and regress to reflection on the substance of life. The affecting and perception to the natural life is displayed by a form of the technique of the silk printing and the patch of ready-made cloth. The explanation conclusion, thereafter, is integrated and generalized as follows: 1). The vitality of gyrate symbol may be seen in the natural lives, from the implication of symbol and image to the plant image of cultural symbol, carrying human imagination to pursue the eternal life. 2). In formation, integrating the silk printing with the patch of ready-made cloth, it may help the patch that combines the plant image with the gyrate symbol to perform the rhythm of natural beauty, and to interweave the works with a poetic atmosphere and produce an incessant existence for the nature. 3). Rely on the artistic creation to perceive the profound and wonderful natural lives. It is an oncoming ideal and goal that we may coordinate the cadence of seasonal circulation to live in our inner peace and perform our creation at no allowance. Chia -Yu Chang 張家瑀 2006 學位論文 ; thesis 132 zh-TW |
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碩士 === 國立嘉義大學 === 視覺藝術研究所 === 94 === “All God’s self-complacent creations are originated from contemplation”. In the internalized process, from observation on natural plant image in lives to transformation of abstract gyration image, the natural forms display sincerely affecting on natural lives with a creative form of silk printing and patching. Through the exploration of various levels, we may comprehend the formation of individual creative conception and the evolution of technical styles in an attempt to reciprocally blend the philosophy with aesthetic viewpoint and living level.
Purpose of this explanation has three points respectively as 1). By means of artistic creation and performing style to explore the self-life emotion and to manifest connotation of image symbol, and , 2). In an attempt to patch and combine the gyrate symbol with the print-making, so as to create a series of works to convey the continuous reproduction of the life while, 3) Praising the beauty of nature and life in the image symbol, and hoping to perform an atmosphere of the plant image (such as seasonal circulation) by artistic creation.
This creative work is trying to take beauty of the natural things as a foundation and make an emblematic “Metaphor” to inspire the conceptual association and the creative performance. The main frame of this explanation is comprised of three sections; the reference exploration of the creative theme, the creative form and technique, and the work analysis and intension interpretation. The scope of this explanation was based on the series works extended from “Gyrate symbol and plant image in the duration of 2004 to 2006, in which the incessant circulation of natural life was performed through the creative practice auxiliary with theoretic analysis, from plant nature observation and gyrate symbol to the build-up seasonal atmosphere.
Proceed along such a contextual idea to explore the fountainhead of self-creation, looking forward to accomplishing the self-comprehension and growth, and by means of the perception of oriental philosophy thinking to obtain the conceptual enhancement and regress to reflection on the substance of life. The affecting and perception to the natural life is displayed by a form of the technique of the silk printing and the patch of ready-made cloth. The explanation conclusion, thereafter, is integrated and generalized as follows: 1). The vitality of gyrate symbol may be seen in the natural lives, from the implication of symbol and image to the plant image of cultural symbol, carrying human imagination to pursue the eternal life. 2). In formation, integrating the silk printing with the patch of ready-made cloth, it may help the patch that combines the plant image with the gyrate symbol to perform the rhythm of natural beauty, and to interweave the works with a poetic atmosphere and produce an incessant existence for the nature. 3). Rely on the artistic creation to perceive the profound and wonderful natural lives. It is an oncoming ideal and goal that we may coordinate the cadence of seasonal circulation to live in our inner peace and perform our creation at no allowance.
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author2 |
Chia -Yu Chang |
author_facet |
Chia -Yu Chang Lee, Szu-Ting 李思葶 |
author |
Lee, Szu-Ting 李思葶 |
spellingShingle |
Lee, Szu-Ting 李思葶 Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting |
author_sort |
Lee, Szu-Ting |
title |
Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting |
title_short |
Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting |
title_full |
Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting |
title_fullStr |
Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting |
title_full_unstemmed |
Gyrate Symbol and Plant Image-The Explanation of the Print-Making Created by Lee, Szu-Ting |
title_sort |
gyrate symbol and plant image-the explanation of the print-making created by lee, szu-ting |
publishDate |
2006 |
url |
http://ndltd.ncl.edu.tw/handle/25232326906482479462 |
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