A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty

博士 === 國立清華大學 === 中國文學系 === 94 === The aim of this dissertation is to provide a rediscovery of the study of the Yuan Northern Drama through the subtle analysis of the Yuankan zaju sanshizhong (Thirty zaju printed in the Yuan Dynasty). The Introduction proposes three submerged problems from the study...

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Main Authors: Wang, Shih-Pe, 汪詩珮
Other Authors: 王安祈
Format: Others
Language:zh-TW
Published: 2006
Online Access:http://ndltd.ncl.edu.tw/handle/74462749112608955086
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spelling ndltd-TW-094NTHU50450042016-06-03T04:13:57Z http://ndltd.ncl.edu.tw/handle/74462749112608955086 A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty 從元刊本重探元雜劇——以版本、體製、劇場三個面向為範疇 Wang, Shih-Pe 汪詩珮 博士 國立清華大學 中國文學系 94 The aim of this dissertation is to provide a rediscovery of the study of the Yuan Northern Drama through the subtle analysis of the Yuankan zaju sanshizhong (Thirty zaju printed in the Yuan Dynasty). The Introduction proposes three submerged problems from the study of Yuan zaju, of which most important is to correct the flaw of treating Yuanqu xuan editions of late-Ming period as the research texts of the Northern Drama. For a comparably historical truth, our study should rely mostly on the Yuan editions. Chapter One focuses on the study of editions and printing culture, beginning with categorizing thirty plays by their editorial features, solving the puzzle of the printing location, and ending with deducing the probable readers and publishing purpose. Chapter Two reexamines the format of Yuan zaju by using these thirty Yuan editions as examples, including its textual structure, the characters the actors had played, and the End Titles. I found the format of Yuan zaju full of diversity and flexibility, not as the general idea of the simplified and standardized style which actually was “unified” by the late-Ming literati. Chapter Three is not just a discussion of the theater art of Yuan zaju. Through the observation on actors’ performance, playwrights and their possible writing motives, theatrical occasions and the audience, I try to present the dynamic and continuous relations and influences of the above factors, which also show the way of dissemination and reception of the Yuan drama, learning more or less how the theater as a social context. The final brief conclusion also provides a short case study of Yuan xiwen, revealing the impact of Yuan zaju on the contemporary xiwen, which can develop as a potential research perspective and as a complementary point of this dissertation. 王安祈 2006 學位論文 ; thesis 321 zh-TW
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description 博士 === 國立清華大學 === 中國文學系 === 94 === The aim of this dissertation is to provide a rediscovery of the study of the Yuan Northern Drama through the subtle analysis of the Yuankan zaju sanshizhong (Thirty zaju printed in the Yuan Dynasty). The Introduction proposes three submerged problems from the study of Yuan zaju, of which most important is to correct the flaw of treating Yuanqu xuan editions of late-Ming period as the research texts of the Northern Drama. For a comparably historical truth, our study should rely mostly on the Yuan editions. Chapter One focuses on the study of editions and printing culture, beginning with categorizing thirty plays by their editorial features, solving the puzzle of the printing location, and ending with deducing the probable readers and publishing purpose. Chapter Two reexamines the format of Yuan zaju by using these thirty Yuan editions as examples, including its textual structure, the characters the actors had played, and the End Titles. I found the format of Yuan zaju full of diversity and flexibility, not as the general idea of the simplified and standardized style which actually was “unified” by the late-Ming literati. Chapter Three is not just a discussion of the theater art of Yuan zaju. Through the observation on actors’ performance, playwrights and their possible writing motives, theatrical occasions and the audience, I try to present the dynamic and continuous relations and influences of the above factors, which also show the way of dissemination and reception of the Yuan drama, learning more or less how the theater as a social context. The final brief conclusion also provides a short case study of Yuan xiwen, revealing the impact of Yuan zaju on the contemporary xiwen, which can develop as a potential research perspective and as a complementary point of this dissertation.
author2 王安祈
author_facet 王安祈
Wang, Shih-Pe
汪詩珮
author Wang, Shih-Pe
汪詩珮
spellingShingle Wang, Shih-Pe
汪詩珮
A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty
author_sort Wang, Shih-Pe
title A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty
title_short A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty
title_full A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty
title_fullStr A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty
title_full_unstemmed A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty
title_sort rediscovery of the study of the yuan northern drama through thirty zaju printed in the yuan dynasty
publishDate 2006
url http://ndltd.ncl.edu.tw/handle/74462749112608955086
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