Evolution of Chinese Ink Art -the thinking of modern Chinese ink creation

碩士 === 國立臺灣師範大學 === 美術學系 === 94 === “Construction of images” is the way that consists of many graphic symbols, which express the complicated inner images of modern people and reflex the creator’s experiences towards his life and society. Its characteristics are usually full of complexity, graphic a...

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Bibliographic Details
Main Author: 林孟德
Other Authors: 王友俊
Format: Others
Language:zh-TW
Published: 2006
Online Access:http://ndltd.ncl.edu.tw/handle/02955619563560563584
Description
Summary:碩士 === 國立臺灣師範大學 === 美術學系 === 94 === “Construction of images” is the way that consists of many graphic symbols, which express the complicated inner images of modern people and reflex the creator’s experiences towards his life and society. Its characteristics are usually full of complexity, graphic and fashionable or super-realistic fantasy. The research is based on traditional experiences, clarifying the inner reality of Chinese ink art and analyzes its “construction of images” through western modern art (such as symbolism, expressionism, surrealism, or abstract experessionism, etc.) We also compare with the creation way of some modern famous Chinese ink art painters, such as Kong-sung Liu, Chun –shiaing Chao, and Chin Show regarding of their process of creating and thinking. My personal creation expressed in the way of construction of images, which is between the formality and realistic theory. Adapted from the western squared form, with saving the original form of Chinese Ink Art in one way, and paint beyond the real frame of objects. My works creats an awkward feeling by putting ancient animals, such as live fish fossils or shells together with the traditional Chinese ink images, which clarify the inner sense and value of Chinese ink art. Through clarifying the concepts, we will be able to enrich the creation of Chinese ink art.