| Summary: | 碩士 === 國立臺灣師範大學 === 設計研究所 === 94 === This study helps illustrators rethink relationship of pictures in picture story books with film editing. Editing means building an event to tell a story. Within an aesthetic context, there are two major editing categories: continuity editing and complexity editing. Continuity editing concerns primarily with convention of the story. And complexity editing concerns with intensification of an event and the plot development. Analytic montage condenses an event into developmental elements and presents these elements in their original cause-effect sequence or subjective event progression. And idea-associative montage enriches the intension of a story. Furthermore, in order to analyze the rhythmic relations in story we use frame distance, screen space and frame angle as three major variables in this study.
Before I start my creation work I try to imitate entire film editing model. Then, at the stage of execution I attempt to disassemble the motif, sub-theme, and theme in a story with “narrative design”, contrasting entire film editing model to transform texts in the story into images. Further more, we can accomplish purposes as follow:
(1) Recreate the motif and rebuild the structure.
(2) Create an atmosphere and change the rhythm.
(3) Generate association of ideas.
(4) Create motions.
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