The space flow of coexistent real and utopia penetration in clothing

• Main Authors: SHU YUEH CHUANG, 莊淑月
• Other Authors: YI CHING CHANG
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/22712998856526571696

碩士 === 實踐大學 === 時尚與媒體設計研究所 === 94 === This study introduces real substance, the “wall” of architecture space, to separate virtual substance, forming virtual space and actual boundary with actual structure. A space needs the boundary to have a form, and it takes the form for the space to be sensed. In architecture space, the physical and enclosed form, internal and external communication channel, and internal-external space flowing of light and air presented by the physical senses are limited to door and window (formation of the hole). This concept is employed as metaphor of space penetration applied and converted to formation of garment opening (hole) and material changes. Through the assistance of architectural structural support framework, it is applied to this creative work. Through “penetration,” infiltrations cross one another and gather together, triggering the concept of flowing space. Based on the fact that clothing can be presented by the body and that clothing can be extracted from the auxiliary relation to the body (reality), this study attempts to endow clothing other decorative functions after it is completed as another form of artistic expression and search. First Part: Review and Interpretation of the Creation Theory The basic “wall” defines the virtual and actual spaces. Penetration makes possible coexistence of actual and virtual spaces and engenders a flowing space. From this perspective, it is explored through penetration of different components of arts (architecture, sculpture, painting, fashion, etc.). Second Part: Design Method and Creation Transformation Penetration image is employed as relationship factor of space interface transformation for analysis and exploration of the intermediate point where actual and virtual spaces coexist. Hole rendering method and penetrative material layer changes are applied to presentation of clothing opening. Into the penetrated metaphor is injected application of rendering approaches such as overlapping, transfer, contortion, deformation, transformation, transparency and rotation todescribe the change of hole in shape. Third Part: Presentation of Work The body language of the body changes the outline of the garment and generates penetration of different faces. The garment is removed from the body for independent existence. “Garment” is seen as a substance that can be penetrated and molded, and it is presented as such. Through manipulation of lighting in association with exhibition form, it demonstrates fashion art under manifold thought pattern.