| Summary: | 碩士 === 東吳大學 === 音樂學系 === 94 === This thesis take Xie Sui’s ”zhi gong tu” as a start, studying main traditional musical instruments of the Chinese miao folk - “lu sheng”(mouth organ), ”tong gu” (metal drum), “ling” (bell) and the connection of its cultural life also clan society. In study, the method of research step of Tilman Seebass put forward to the music iconology, for Xie Sui’s ”zhi gong tu” (the picture of foreign countries pay tribute to emperor ), ”huang qing zhi gong tu” (The emperor justify the usage "the picture of foreign countries pay tribute to emperor), “ tuand guang yu sheng lan ”(The picture that describes the beautiful scenery) three main literatures, carry on detailed music picture comparing and try to find out in the literatures the main application forms to these three kinds of main musical instruments in its clan society and the musical instrument evolution of it's applications . The origin study discovers, “lu sheng” (mouth organ), ”tong gu” (metal drum) and “ling” (bell) often appear in the festival at the same time during miao folk 's life, also indicates“lu sheng” (mouth organ), ”tong gu” (metal drum) and “ling” (bell) in miao folk 's tradition is close combined to life, for several hundred years till now still keep the similar position. Therfore, in research this thesis could become an example of typical model in musuc iconology.
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