| Summary: | 碩士 === 臺北市立教育大學 === 視覺藝術研究所 === 94 === Abstract
Keywords: Illusion，Reality，Record，Post-Modern
“ Illusion and Reality.” is a discussion into the my creating ideas and contents of my works, including the period of academic realism imitation, and later on, the attempts from self-creation. The creating period of time stands between 1997 and 2005.
The author has been in touch with art since little, and emphasizes on the “Figure” and “Realism” of western portraits, and in Chinese painting, the naturalism and “Symbolism”. Under the influence of eastern and western art forms, the original motive for the author is to pursue realism in creation.
In fact, surveying through human history basically can be a process in
pursuing reality. No matter from the outward figure or inherent contents, this process is a pursue for the reality of spiritual instincts. However, in the Twentieth Century Post Modernism, the line between illusory and realism gradually turns vague. Jean Baudrillard has pointed out that in our world now, there is no illusory, nor there is reality; Hyperreality has extinguished both. I apply the concept that we are in the Implosion of excessive information and uncertainty of post-modernism, extends to discuss illusory and reality.
“ Illusion and Reality－A Record of Tsai Jui-Yu’s Creations” attempts to discuss illusory and the real from all aspects, adding Jean Baudrillard’s Simulation, Gilles Deleuz’s Rhizome and some of the other post-modernism theories. Then by contemplating from the inside and out, theoretical analyze, and practical creation, the author checks upon the creating process in every step and analyze the figure and techniques. In the aspect of visual transmission, by showing the real image using traditional manual painting and computer assistance, presenting the work style of post- modernism,have multiple objects misplacement and space misplacement form.
Finally, from the works accomplished, the author analyzes and sums up, also checks the outcome of creation and future prospects to be conclusion, let the work approach the artistic phenomenon of post- modernism , tries to comprehend the relevance between the real and the imitated, pursues perfectly unifies Fine-Art and Popular-Art.
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