| Summary: | 碩士 === 國立臺北藝術大學 === 戲劇學系碩士班 === 94 === Based on the concept of Benedict Anderson''s `Imagined Communities,’this
thesis tries to conjecture the possibility of ` "Power" Communities．’By getting
through Cheng Wei Man''s life, the thesis is to deduce the characters of the
Power/Authority in the theater. Cheng founded the Xing Guang Ju Tuan as to be the
blueprint of Taiwan theater. He led the Youths of Ta Tao Cheng into the theater. In
addition, he built the Utopia due to his belief of Anarchism. This thesis attempts to
categorize these Youths as `the Intellectuals of Theater,’and observes that their
behaviors with the indefatigable energies and the exiled psychologies is the chance，
for their fatality to be imprisoned, to complete their own ideologies．
In order to define the“‘Power”Communities’and to compare the
differences among the Mn Ju (New Play) festivals，this thesis also pays attention to
the series of the activities that Xing Guang Ju Tuan joined in and concerns with the
spirit of its branches. Based on Foucault''s and Said''s concepts of `Power,’this
thesis is to disclose that the power function hides in the society with the particular
qualities of Space, Production and Body. As a result, we can imagine what the
representation of Power is.
Finally, we can make sure that all actions of the intellectuals were resulted from
the crisis of lacking identification. The intellectuals in the Japanese governance
transferred their activities from politics to art．By means of“‘Power”
Communities''，we can discover that what they longed for is the `contrapuntal
identification'' instead of the `single identification.’Nevertheless, all the people
still yearn for the `multiplicate identify'' up to now.
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