Research on colorfulness and brightness of flowers and birds painting creations

• Main Authors: Huang ,Shu-Ying, 黃淑媖
• Other Authors: Kao ,Tsung-Yen
• Format: Others
• Language: zh-TW
• Published: 2007
• Online Access: http://ndltd.ncl.edu.tw/handle/29612088622022138375

碩士 === 長榮大學 === 視覺藝術研究所 === 95 === Research on colorfulness and brightness of flowers and birds painting creations Abstract This research is conducted to study the colorfulness and brightness of plants and birds painting creations. As plants and birds are the focus of paintings, Chinese painting theory, art history and aesthetics are integrated to create works rich in colors and brightness. Tangible objects such as flowers and birds are used and arranged differently in terms of space in paintings to present the intangible element, the atmosphere, the author tries to indicate. The first chapter is an introduction applying preceding studies, research method and purposes to reflect the interrelationship between the theme and art theory. The second chapter includes literature review and discussions of creations by the previous generations. Forms and techniques are produced and refined through the development of Chinese art history and Eastern and Western aesthetics. Picture observation and analysis give a clear direction to future development of heavy colors painting. Theme of creation and creation practices are discussed in the third part. With the long history and complexity of Chinese plants and birds painting, it is essential to analyze the theme of each piece of works. The plants and birds and the nature are inseparable, which leads to the discussions about concepts of aesthetics, time, and space arrangement in each work. For the author’s own creation, presentation of sense and sensibility of every piece of works is based on rich, bright colors. Chapter four presents creation interpretation which includes seven pieces of works. These creations are analyzed form perspectives of theme, academic theory, content and form, material and techniques and finally, overall presentation. The marriage of cloth and acrylic colors develop into an art form, and the relationship between whole creations and individual piece of work is discussed. The final chapter, conclusion, presents different art styles based on rich, bright colors and mainly focuses on Chinese plants and birds painting. The essence of water ink painting has been through long development, and it has been suggested that poetry, studies, and painting all have been influenced by each other and deeply interrelated, and color ink plants and birds painting is, no doubt, also affected. Through theory exploration, the author looks forward to creating works that encompass aesthetics, philosophical thinking and attitude toward art, and the analysis of works of previous generations is expected to indicate another direction for future creation. Theme, techniques, materials, and author’s own experiences and perceptions of art result in various ways pf presentation and interpretation, and it is believed that choice of materials and skill practices are important factors to art styles. Experiments on different combination of structures and elements are expected to provide different creations. As traditional Chinese plants and birds painting meets Western’s acrylic heavy colors, coupled with Western painting theory and skills, a totally different color ink plants and birds painting is certainly to be developed. Keywords： flowers and birds 、Research on colorfulness、 brightness 。